I usually try to avoid comparing bands or musicians, but I feel like there’s no way I can talk about Will Johnson without mentioning Jason Molina. The similarities are just too overwhelming.

First, both men are prolific singer-songwriters. Each front or have fronted multiple bands: Will Johnson currently heads both Centro-matic and South San Gabriel Official Website | MySpace | eMusic | Insound | Amazon | CD Baby | Amie Street while Jason Molina led Songs: Ohia before morphing it into Magnolia Electric Co. In addition, both men have released several solo records. All told, Johnson has around 14 albums to his name while Molina has over 16 (all released over the span of about 10 years). I don’t know about you, but I’m impressed.

And second, both men write remarkably diverse music. Johnson uses Centro-matic to pump out straightforward indie rock and South San Gabriel to explore more down-tempo material. Molina wrote somber, bluesy numbers under the Songs: Ohia moniker before heading in a more “alt-country” direction with Magnolia Electric Co. Both musicians’ solo albums are sparse, haunting affairs.

Despite these overwhelming similarities, Will Johnson and his two bands aren’t as well known as Molina’s. Which is a true shame because Johnson is immensely talented. I especially like his output under South San Gabriel: it’s perfect late night music. Random weird sounds and plodding beats from drum machines complement Johnson’s odd delivery and gorgeous melodies. It all sums to create a lonely, yet strangely comforting landscape.

I’ve posted my favorite track from each of South San Gabriel’s three albums: “New Brookland” from Welcome, Convalescence, “Stupid Is As Stupid Does” from The Carlton Chronicles: Not Until the Operation’s Through, and “The Are and the Cusp” from Dual Hawks.

[mp3] South San Gabriel - New Brookland
[mp3] South San Gabriel - Stupid Is As Stupid Does
[mp3] South San Gabriel - The Are and the Cusp

Because of the movies and TV, I think all musicians are complete jackasses. They trash hotel rooms, do tons of drugs (and groupies), and have egos the size of Texas. Obviously, this is a stereotype. I’m sure most musicians are very nice people. And those who happen to be jackasses were probably jackasses long before they were musicians.

The Spinto Band live at Bottom of the Hill

But I stray. I want to talk about my first ever band interview. On the day after Halloween, I had the opportunity to interview The Spinto Band before they played Bottom of the Hill in San Francisco. At first, I didn’t want to do it. I had never interviewed anyone before, let alone a popular indie band. Also — and I know this sounds quite stupid — I thought they would be mean to me. Probably because I believed all musicians to be jackasses. In the end, however, I decided it was too good of an opportunity to pass by.

Needless to say, I was a little nervous as I sat down to interview Jeff Hobson (drums) and Joe Hobson (guitar and backing vocals) from The Spinto Band. But before talking about the interview, let me first provide a brief history of the band.

The Spinto Band Official Website | MySpace | eMusic | Insound | Amazon | CD Baby | Amie Street first started recording music in 1998. They self released a handful of albums over the course of a few years, finally gaining some notoriety in 2005 thanks to an infectious little song “Oh Mandy” and a lot of buzz from the blogosphere. They just released Moonwink, their second album on a major indie label, and are currently near the end of a North American tour with Frightened Rabbit. The Spinto Band has six members: Jon Eaton, Nick Krill, Thomas Hughes, Jeffrey Hobson, Sam Hughes, and Joe Hobson.

While it wasn’t my initial intention, I ended up using the interview to dispel my misconceptions about musicians. After a few questions, I soon realized that Jeff and Joe are really nice guys who enjoy playing and recording music. Not at all jackasses. Here are some interesting things I learned about them and the band:

• As you might expect, they sometimes get tired of playing the same songs over and over again at their shows.
• Whoever is driving the tour van has complete control of the radio.
• Being a professional musician hasn’t destroyed their love of music.
• “Oh Mandy” is not about a girl but rather a mandolin.
• They devote their free time to things other than music (like video games) and, somewhat surprisingly, don’t stay too current with the latest bands and releases.
• They like music blogs but sadly have never read mine.

Frightened Rabbit live at Bottom of the Hill

After interviewing Jeff and Joe, I bumped into Frightened Rabbit and chatted with them for a few minutes. Again, they were incredibly nice guys — not at all jackasses. I think I’ve finally gotten over my silly misconceptions about musicians.

As for the actual concert, neither band disappointed. Frightened Rabbit opened with a loud, emotional set. The highlight was definitely when Scott Hutchison stepped in front of his microphone and sang a truly acoustic version of “Poke.” The Spinto Band followed suit, playing with an insane amount of energy. All six members crammed onto the tiny stage and, quite amazingly, managed to avoid hitting each other during their spastic gyrations. They looked like they were having a lot of fun up there.

I know I definitely did.

[mp3] The Spinto Band - Oh Mandy

I’m getting a little frustrated. Lately, I can’t seem to find anything to obsess over (which might explain why I haven’t posted in ages).

So I’ve decided to hit the archives. My second Mini Mix highlights four bands I’ve enjoyed over the past few months but have failed to mention on my site. These bands have one thing in common: they all fly well below even the indie music radar.

VIDEOTAPE Official Website | MySpace | eMusic | Insound | Amazon | CD Baby | Amie Street

First started listening :: late August

Reasons for waiting to post :: Videotape’s album, My Favourite Thing, is a definite grower. At first, it sounds lazy and a little uninspired. But slowly, after repeated listens, the hooks start digging in. The waves of electric guitar start pulling at you. The sense of laziness remains but the music gradually comes to life. It’s pointless comparing Videotape to other bands because they don’t sound like anyone I know. If you enjoy the song posted below, check out the rest of the album - it’ll definitely grow on you.

[mp3] Videotape - Night Lights

THE TALLEST MAN ON EARTH Official Website | MySpace | eMusic | Insound | Amazon | CD Baby | Amie Street

First started listening :: late June

Reasons for waiting to post :: I honestly don’t know why it took me so long to write about The Tallest Man On Earth (aka Kristian Matsson), a young, talented singer-songwriter from Sweden. I’ve actually been listening to him constantly for the past few months. I think the reason for the delay is that I couldn’t pick a favorite track from his amazingly consistent catalogue of folk music. So naturally, I chose a couple. And while his music may sound a little like early Bob Dylan, it flows so effortlessly I could really care less.

[mp3] The Tallest Man On Earth - Over the Hills
[mp3] The Tallest Man On Earth - Where Do My Bluebird Fly

PORT O’BRIEN Official Website | MySpace | eMusic | Insound | Amazon | CD Baby | Amie Street

First started listening :: early June

Reasons for waiting to post :: I don’t think I fully appreciated Port O’Brien until I saw them live at Treasure Island Music Festival a month ago. Despite a stellar lineup (including Okkervil River and Fleet Foxes), Port O’Brien stole the show with their raw energy and passion. These guys rock pretty hard. Which is a little surprising given that their two studio albums, The Wind and the Swell and All We Could Do Was Sing, are pretty mellow. This versatility and range speaks to their talent as musicians and entertainers.

[mp3] Port O’Brien - Don’t Take My Advice
[mp3] Port O’Brien - My Eyes Won’t Shut

CRANES & CROWS Official Website | MySpace | eMusic | Insound | Amazon | CD Baby | Amie Street

First started listening :: late April

Reasons for waiting to post :: It took me a while to warm up to Paul Brandt’s vocals, which doesn’t make much sense because there’s nothing unusual about them. In fact, I now find his voice to be very comforting. Which is also how I’d describe the sound of their music in general. And unlike my initial qualms about the vocals, this actually makes sense: Cranes & Crows hail from Wisconsin, my home state. And like most people, I find the thought of home very comforting.

[mp3] Cranes & Crows - Wrecking Ball
[mp3] Cranes & Crows - So It Goes

In order to return my blog to its usual format, I need to clear out the backlog of music created by my summer hiatus. This post should bring you up to speed on some of my favorite albums released in the past few months. It won’t be poetic, but then again, housekeeping rarely is.

MY MORNING JACKET Official Website | MySpace | eMusic | Insound | Amazon | CD Baby | Amie Street

After the massive disappointment that was Z, I expected very little of My Morning Jacket’s latest album Evil Urges. After several months of listening, I can honestly say Evil Urges doesn’t suck. In fact, it’s pretty solid. The band continues to distance themselves from the sound they perfected on At Dawn, which, at least for me, is disappointing because that’s the sound I originally fell in love with.

I think, however, I’ve come to terms with their new direction. Seeing them live at the Greek two weeks ago definitely helped. These guys put on an amazing show. One of the many highlights that night was an incredible version of “Touch Me I’m Going to Scream Pt. 2,” the epic closing track on Evil Urges. The studio version of this song is posted below.

[mp3] My Morning Jacket - Touch Me I’m Going to Scream Pt. 2

THE WALKMEN Official Website | MySpace | eMusic | Insound | Amazon | CD Baby | Amie Street

On You & Me, The Walkmen not only perfect their sound but finally feel comfortable with it. And they sound as if they’ve just shaken off an epic hangover: their new album contains a sense of weariness and regret not present in previous albums. Maybe The Walkmen have grown up.

If so, it’s for the better. You & Me is their most consistent, and ultimately, their most rewarding album to date. Ironically, its consistency might also be its biggest turn-off. Songs sometimes bleed too much into each other. It takes repeated listens before tracks distinguish themselves. After nearly two dozen spins, I’m finally there. Right now, “On the Water” is my favorite track, but this will probably change on a weekly basis.

[mp3] The Walkmen - On the Water

SHEARWATER Official Website | MySpace | eMusic | Insound | Amazon | CD Baby | Amie Street

Similar to The Walkmen, Shearwater sounds like they’ve finally figured themselves out. With the release of Rook, Meiburg and his band fully step out of the shadow of Okkervil River. I’m only disappointed it took so long.

There is a lot going on under the surface of Rook. The shear gorgeousness of the music often masks a strong undercurrent of anger and frustration. Which is part of the reason I like Shearwater so much: their ability to combine beauty and violence is striking. The title track from Rook, which is posted below, captures this balance perfectly.

[mp3] Shearwater - Rooks

SIGUR RÓS Official Website | MySpace | eMusic | Insound | Amazon | CD Baby | Amie Street

Sigur Rós has yet to release a disappointing album. With every new CD, they manage to explore new territory while at the same time maintaining their core sound (My Morning Jacket should take a lesson from them). The first few tracks on Með Suð Í Eyrum Við Spilum Endalaust, for example, can almost be described as joyous, which is definitely new territory for the band.

This mood, however, doesn’t last long. Soon the band retreats to familiar ground, slowing the flow of music to that of a glacier. “Illgresi,” the track posted below, resides on the slower second half of Með Suð Í Eyrum Við Spilum Endalaust and features the band at its simplest: a pretty acoustic guitar riff, some violin flourishes, and Jónsi’s plaintive vocals.

[mp3] Sigur Rós - Illgresi

After five months of constantly listening to Frightened Rabbit’s Midnight Organ Fight, I still find myself untangling its contradictions and unraveling its many layers. Which is quite amazing considering my hyperactive listening habits.

I’ve finally figured out why I like the album so much: it is, more or less, the soundtrack to my life. It simultaneously encompasses the good times and the bad, the highs and lows. Despite this contradiction, or maybe because of it, Midnight Organ Fight always inspires. It’s a strange phenomenon: the louder I play it, the better I feel.

Like most great albums, Midnight Organ Fight reveals itself in layers. It took nearly a dozen listens before I could distinguish individual songs. Had I written this review back then, my favorite tracks probably would’ve been “Good Arms vs. Bad Arms” and “Poke.” Now I can’t decide. My favorite songs seem to change every time I listen to the album.

Frightened Rabbit Official Website | MySpace | eMusic | Insound | Amazon | CD Baby | Amie Street hails from Scotland, a fact immediately confirmed by Scott Hutchison’s vocals. Thankfully, his accent is noticeable but not overwhelming. In fact, it often adds an extra dimension to the music. I love the way he stretches out random words and phrases. At times, his voice nearly buckles under the weight of emotion.

The lyrics inhabit the gray area between breaking up and getting back together (which helps explain all the contradiction). On “The Twist” Hutchison sings, “It’s the night, I can be who you like / And I’ll quietly leave before it gets light.” Later, he asserts, “I need company / I need human heat.” But then on “Keep Yourself Warm” he belts out, “It takes more than fucking someone you don’t know to keep warm.” So which is it? Anyone who’s ever inhabited this gray area knows it’s actually both.

Last but certainly not least is the music. The wailing guitars in “Good Arms vs. Bad Arms,” the hypnotic piano melody at the end of “The Twist,” the slow steady build in “Backwards Walk,” and the simpleness of “Poke.” It’s overwhelming at first, but with repeated listens the layers start peeling apart. Soon, you will find yourself coming back for even more of exactly the same.

[mp3] Frightened Rabbit - The Twist
[mp3] Frightened Rabbit - Backwards Walk

Download three more Frightened Rabbit songs for free here. I highly recommend “The Modern Leper” and “Heads Roll Off.”

What do you think of the new website?

I love it. It’s way better than the old site.
It’s OK. It might grow on me.
I hate it. Bring back the old look.
I don’t really care.
View Results

Welcome to the new and improved Mike Went West! Version 2.0, if you will. I’ve spent that past month overhauling my website. In fact, I took my initial design to about 75% completion only to trash it and start over again. What you see is actually my second revision. It was a ton of work, but was also incredibly rewarding.

Needless to say, I love my new design. But that is beside the point. I want to know what you think. Please take a moment to respond to the survey below. For those of you who’ve already forgotten what my old site looked like, the image on the left should refresh your memory.

Also, feel free to browse the other tabs on my site. You might notice that some pages are still under construction. I’ll fill these in whenever I have spare time. The front page, however, should be fully functional. Please let me know of any bugs you discover.

Note: those of you still using IE 6.0 will experience problems viewing my site. More precisely, the layout will look like complete garbage. I recommend upgrading to IE 7.0 or switching to Firefox for optimal viewing.

You may also notice that my domain name has changed. I decided to switch the site over to mikewentwest.com to match the title of my blog. Please make sure to update your bookmarks!

So with the bulk of the redesign complete, I can finally write about music again. The fresh look should inspire me to post more frequently. Or at least that is the hope.

To celebrate this momentous occasion, I want to share one of my favorite songs from the past few weeks. The first time I listened to it I experienced a moment of déjà vu: I could’ve sworn I’d heard the song before but couldn’t quite place where. After some internet research, I finally figured it out. But instead of just telling you, I think I’ll let you figure it out on your own (if you really want to know, check the comments).

Anyways, the song is “How It Ends” by Devotchka Official Website | MySpace | eMusic | Insound | Amazon | CD Baby | Amie Street, a band from Denver that reminds me of Beirut. Or maybe it’s the other way around - Devotchka actually predates Beirut. Regardless, the song title is particularly fitting as I bid farewell to my old site. More importantly, however, the song itself is fantastic. Especially the violin ending.

[mp3] Devotchka - How It Ends

Before closing, I’d like to thank my roommate Eugene for all the help he gave me over the past month. I couldn’t have redesigned my site without his guidance. I’d also like to thank Danielle and Verna for the additional feedback they provided along the way. You guys rock!

For the past year or so, I’ve felt the overwhelming desire to move up north for the winter and live by myself in a cabin. Kind of like Bon Iver, but not really (mostly because I doubt anything as beautiful as For Emma, Forever Ago would result). Also, I’d want to go somewhere more mountainous and snowy than Wisconsin. Probably either Alaska or western Canada.

The reasons for this are multiple. First, I want to experience the full intensity of winter (I love cold and snow). Second, I want to gaze upon the Northern Lights in all their glory. And third, I want to see how I respond to prolonged periods of darkness and isolation.

So when a good friend suggested I read North Into the Night, a story about a guy who spends a winter alone in the Arctic, I happily obliged. At the very least, it would be an entertaining read, and might even help me prepare for my adventure.

Without giving too much of the book away, the guy nearly goes crazy after spending over 5 months in complete darkness and isolation. He sleeps for days on end and often loses control of his temper and sanity. Even though my proposed adventure wouldn’t be as intense, his story filled me with apprehension. Could I really go 5 months without seeing another person?

All of this got me thinking about the nature of isolation. After some serious reflection, I’ve come up with two kinds (though I’m sure there’s more). The first type of isolation, as described in North Into the Night, is largely physical; the author (Alvah Simon) ventured to a part of the world that few inhabit, so quite naturally he was alone. The second kind of isolation is best illustrated by the story told in Justin Townes Earle’s heartbreaking song “Yuma.” The isolation he portrays is mostly psychological; the (hopefully) fictional character feels completely alone even when surrounded by scores of people in a city.

I think psychological isolation is easier to sympathize with and understand. Most of us live in populated areas. Yet somehow the constant presence of other people doesn’t always fight back feelings of isolation and loneliness. Especially with the rise in popularity of iPods and personal music players. Just pop in those little white ear buds and the surrounding world disappears!

Anyways, if you like the song posted below, I highly recommend listening to the rest of Justin Townes Earle’s Official Website | MySpace | eMusic | Insound | Amazon | CD Baby | Amie Street EP Yuma, as well as his LP The Good Life. He has an amazing voice and a knack for penning gorgeous songs that perfectly articulate those universal feelings of heartbreak and loneliness. Which, coincidentally, sound amazing through the ear buds of an iPod.

[mp3] Justin Townes Earle - Yuma

I write this post from a strange and distant land: I am currently visiting the frozen, sunless wilderness known as Canada. Specifically, I am in Lake Louise, a gorgeous glacial lake nestled in the Canadian Rockies.

Despite the weak dollar, I recommend all Americans venture north of the border at least once before passing judgment upon their quirky neighbors. Canada truly is a unique place, not a “frozen, sunless wilderness” (at least not all the time).

On top of all the natural beauty, Canada also has a pretty amazing music scene. As many of you probably know, several popular indie rock bands call Canada home, including The New Pornographers, Wolf Parade, and The Arcade Fire.

What you may not know, however, is that Canada also hosts a solid alt country/folk scene. Canadianicana, if you will. This regional mix highlights a few of my favorite artists.

JULIE DOIRON Official Website | MySpace | eMusic | Insound | Amazon | CD Baby | Amie Street

Blessed with an amazingly expressive voice, Julie Doiron plays music that reminds me of early Cat Power (which is, coincidentally, my favorite Cat Power): dark and moody, somber and bluesy. Doiron’s best tracks feature just her voice, an electric guitar, and maybe some drums. Goodnight Nobody is my favorite album, though I have yet to explore her extensive catalog in depth.

[mp3] Julie Doiron - Snow Falls In November

KATHLEEN EDWARDS Official Website | MySpace | eMusic | Insound | Amazon | CD Baby | Amie Street

Kathleen Edwards (unfairly) had some big shoes to fill. After discovering (and becoming obsessed with) Sera Cahoone, I desperately tried to find similar female singer-songwriters to satisfy my insatiable appetite for quiet, thoughtful Americana. Luckily, I stumbled upon Kathleen Edwards. A little feistier than Cahoone, Edwards’ music is also more emotionally charged. The track posted below, however, is one of her mellower songs. To get a more complete taste of Edwards’ style, check out a stunning acoustic version of “Asking For Flowers” at Amazon (it’s free - download it here).

[mp3] Kathleen Edwards - Goodnight, California

HAYDEN Official Website | MySpace | eMusic | Insound | Amazon | CD Baby | Amie Street

Lyrics tend to take center stage on Hayden’s albums. Consider, for example, the following excerpt: “Women adored me / For the sad look in my eyes / Now they ignore me / For getting on with my life.” Simply amazing. And the music usually keeps pace. It’s been fun delving into some of Hayden’s older material; he has definitely matured and mellowed with age. The track posted below is off his latest album In Field & Town, which is his most concise and consistent to date.

[mp3] Hayden - Damn This Feeling

JUSTIN RUTLEDGE Official Website | MySpace | eMusic | Insound | Amazon | CD Baby | Amie Street

Justin Rutledge is an underrated singer-songwriter from Toronto. Though his latest album sometimes veers into the dangerous land of adult contemporary, his debut album No Never Alone is spectacular. Listening to “1855″ makes me wish I could travel back to a more simple time. And “Alberta Breeze” may very well be the theme song to my vacation.

“Now I try to keep a steady hand / ‘Cause I’m living in a shaky land / Lord I try to be an honest man / But it’s tougher than I ever planned“

[mp3] Justin Rutledge - 1855
[mp3] Justin Rutledge - Alberta Breeze

I knew this day would come. It had to. Dogs normally don’t live fifteen years. Especially fifteen years with three rambunctious boys.

Yet somehow Molly endured. Far beyond even our most optimistic expectations. Even towards the end, when she couldn’t hear and struggled up and down the stairs, she still kept doing the things she loved: lying in the sun at the front door, wolfing down her food as though she hadn’t eaten in weeks, and doing her best imitation of my mom’s shadow.

Reality still hasn’t sunk in. My beloved dog is gone. She won’t be there at the door to greet me when I come home next time. And I won’t bring back nearly 3 pounds of dog hair with me to California.

So here’s to Molly, forever my little puppy. Here’s to the endless stream of stupid nicknames that flowed in her direction, the sleepless nights caused by her innate ability to hog the entire bed, the cute way she flicked snow up in the air with her nose, and the countless scraps of food she pilfered from the kitchen (including a Christmas ham from the refrigerator).

Here’s to the good times and the bad. Here’s to my faithful childhood companion. I’m going to miss you Molly.

[mp3] Sigur Rós - Andvari

Last night was, in a word, amazing. Simply amazing. One of those experiences that rejuvenates your soul and makes the daily grind seem almost tolerable. My previous encounter with this feeling came a year ago when I saw Menomena at the Independent (and probably also this past winter while snowboarding).

Last night Sera Cahoone and Grand Archives Official Website | MySpace | eMusic | Insound | Amazon | CD Baby | Amie Street played at Slim’s in San Francisco and it was easily one of the best concerts I’ve seen. Both acts were exceptional. Sera opened the show with a set that couldn’t have been more perfect. Highlights included “Only As the Day Is Long,” “Baker Lake,” “Happy When I’m Gone,” “Couch Song,” and an incredible version of “You’re Not Broken.” Her vocals were spot-on and her backing band equally impressive (especially the guy on lap steel).

Following her set, she sat at the merch table and chatted with fans. I asked her to sign my copy of Only As the Day Is Long and happily purchased a t-shirt from her. I hope she starts headlining shows in the future. She is a phenomenal musician and songwriter.

It took me a little while to come down from my Cahoone-induced high, but when I did, I found myself in the middle of the Grand Archives’ set. I honestly would’ve been happy if they played “Sleepdriving” and nothing else, but I actually enjoyed some of their other songs more, especially “Torn Blue Foam Couch,” “George Kaminski,” and a raucous version of “Crime Window.” The true highlight, however, was a duet version of “Louis Riel” featuring Sera Cahoone Official Website | MySpace | eMusic | Insound | Amazon | CD Baby | Amie Street and Mat Brooke.

The show ended around 11:30pm but I wanted more. Unfortunately, this was the last stop of their tour, so I can’t tell you to go see them for yourself. Which is a true shame because they all looked like they were having a great time playing together. Instead of catching them live, I recommend reading my previous posts (here and here), downloading the songs below, and purchasing their albums if you enjoy. And then hope they decide to tour together again in the future.

[mp3] Sera Cahoone - Only As the Day Is Long
[mp3] Sera Cahoone - Happy When I’m Gone
[mp3] Grand Archives - Sleepdriving
[mp3] Grand Archives - Torn Blue Foam Couch