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Frightened Rabbit

  • Features » Best of » Best of 2008

    Top 10 Albums

    Best of 2008: Top 10 Albums

    Posted on December 18, 2008

    5 Comments

    SHEARWATER
    Rook

    It’s official. With Rook, Shearwater has fully stepped out of the giant shadow cast by Okkervil River. This isn’t the first time I’ve said this, but it’s definitely true. It’s been fun watching the band’s progression. With each new release, Shearwater continues to put more and more distance between itself and Okkervil River. Hopefully, Rook is just one of many more albums to come from this incredible band.

    GRAND ARCHIVES
    The Grand Archives

    This may sound a little strange, but Grand Archives’ self-titled debut is like an old friend. No matter how much time passes between contact, conversations continue as though you’d just talked to your friend yesterday. And the time you spend together only reminds you why you liked this person so much in the first place. Every time I listen to The Grand Archives, I wonder why I don’t listen to it more often.

    THE WALKMEN
    You & Me

    When I wrote about You & Me a few months ago, I said, “Right now, ‘On the Water’ is my favorite track, but this will probably change on a weekly basis.” As it turns out, I was right. My favorite song this week is “If Only It Were True.” I consider this to be the hallmark of a great album – one that reveals itself slowly in layers.

    THE RURAL ALBERTA ADVANTAGE
    Hometowns

    Hometowns was a last minute addition to this list. If I had a little more time with the album, it probably would crack my top 5. But the mere fact that it even made the list stands as a testament to its amazingness. Normally I wouldn’t even consider an album I just started listening to 3 weeks ago, but The Rural Alberta Advantage is one of the best new bands I’ve heard in a long time. They definitely deserve this spot.

    BON IVER
    For Emma, Forever Ago

    Technically first released in 2007, For Emma, Forever Ago was easily my most anticipated album of 2008. And it did not disappoint. Bon Iver (aka Justin Vernon) manages to do a lot with very little. He makes sounds with an acoustic guitar I didn’t think possible. He loops and layers his gorgeous vocals to haunting effect. It all adds up to one of the most original and innovative albums of 2008.

    THE TALLEST MAN ON EARTH
    Shallow Grave

    The most impressive thing about Shallow Grave is how effortless it sounds. There must be something in the water in Sweden. Using just an acoustic guitar and occasionally a banjo, The Tallest Man On Earth (aka Kristian Matsson) walks a narrow line between intensity and beauty. It’s an impressive debut from a talented singer-songwriter.

    SIGUR RÓS
    Með Suð Í Eyrum Við Spilum Endalaust

    I’m getting a little worried. I’m starting to hear Sigur Rós everywhere: commercials, TV shows, movie trailers, soundtracks. I guess I shouldn’t be too surprised. Their music is disgustingly gorgeous. And Með Suð Í Eyrum Við Spilum Endalaust is no exception. If anything surprises me, it’s that it took the TV and movie people so long to discover this amazing band.

    FLEET FOXES
    Fleet Foxes

    The first time I heard Fleet Foxes I got a little angry. They sounded eerily similar to early My Morning Jacket, which I did not appreciate. But because I was desperate for some classic MMJ, I decided to give them a try. I’m glad I did. The more I listen to them, the less they sound like MMJ. It took a little time, but Fleet Foxes’ soaring vocals and melodies definitely grew on me. Much more than I ever imagined.

    SERA CAHOONE
    Only As the Day Is Long

    For the record, Only As the Day Is Long could’ve easily held down the No. 1 spot on this list. 2008 was the year I discovered the beauty of Americana/folk music and, without a doubt, Sera Cahoone was the highlight of this incredible genre. Sadly, I never featured her on my Artist Spotlight series as I originally planned. I just couldn’t find the right words (and doubt I ever will). Just know that Sera writes simple, gorgeous, heartbreaking music.

    FRIGHTENED RABBIT
    The Midnight Organ Fight

    There’s not much more to say about these guys that I haven’t already said. Maybe the only thing left to do is justify why they grabbed the top spot. On a typical album, I usually figure out my favorite track(s) within the first few listens. But on The Midnight Organ Fight, this didn’t happen. It is truly a complete album, which in the age of the digital single is a remarkable achievement.

  • Reviews » Track Review

    Frightened Rabbit – “It’s Christmas So We’ll Stop”

    Track Review: Frightened Rabbit - "It's Christmas So We'll Stop"

    Posted on November 28, 2008

    1 Comment

    I hope everyone had a wonderful Thanksgiving! And now that it’s the day after, it’s officially acceptable to talk about Christmas. So here it goes…

    Apparently, it’s a tradition for musicians in the UK to pump out cheesy Christmas songs right before the holiday. The ridiculously-sappy Christmas movie Love Actually confirms this: part of the story revolves around a burned-out musician competing with a popular boy band for the top Christmas song. You can probably guess who grabs the No. 1 spot.

    This tradition was further confirmed by the guys in Frightened Rabbit. Before their show at Bottom of the Hill a few weeks ago, I asked them about their Christmas song (“It’s Christmas So We’ll Stop”) and how it came to be. They joked about how they were just following tradition when they released it last Christmas.

    If their song is a joke, it isn’t very funny – in fact, it’s actually a little depressing. On second thought, cynical might a better word to describe it. The song talks about how people are nice to each other only around Christmas time.

    Like all good Frightened Rabbit songs, “It’s Christmas So We’ll Stop” uses seemingly disjointed thoughts and images to convey a simple, yet powerful story or idea. When you add in a gorgeous melody that grabs you and refuses to let go, it’s easy to see why this is the greatest Christmas song ever.

    For the second greatest Christmas song ever, I highly recommend “Sister Winter” by Sufjan Stevens, which I wrote about last year. The original article can be found here.

  • Reviews » Album Review

    Frightened Rabbit – The Midnight Organ Fight

    Album Review: Frightened Rabbit - The Midnight Organ Fight

    Posted on September 19, 2008

    1 Comment

    After five months of constantly listening to Frightened Rabbit’s Midnight Organ Fight, I still find myself untangling its contradictions and unraveling its many layers. Which is quite amazing considering my hyperactive listening habits.

    I’ve finally figured out why I like the album so much: it is, more or less, the soundtrack to my life. It simultaneously encompasses the good times and the bad, the highs and lows. Despite this contradiction, or maybe because of it, Midnight Organ Fight always inspires. It’s a strange phenomenon: the louder I play it, the better I feel.

    Like most great albums, Midnight Organ Fight reveals itself in layers. It took nearly a dozen listens before I could distinguish individual songs. Had I written this review back then, my favorite tracks probably would’ve been “Good Arms vs. Bad Arms” and “Poke.” Now I can’t decide. My favorite songs seem to change every time I listen to the album.

    Frightened Rabbit hails from Scotland, a fact immediately confirmed by Scott Hutchison’s vocals. Thankfully, his accent is noticeable but not overwhelming. In fact, it often adds an extra dimension to the music. I love the way he stretches out random words and phrases. At times, his voice nearly buckles under the weight of emotion.

    The lyrics inhabit the gray area between breaking up and getting back together (which helps explain all the contradiction). On “The Twist” Hutchison sings, “It’s the night, I can be who you like / And I’ll quietly leave before it gets light.” Later, he asserts, “I need company / I need human heat.” But then on “Keep Yourself Warm” he belts out, “It takes more than fucking someone you don’t know to keep warm.” So which is it? Anyone who’s ever inhabited this gray area knows it’s actually both.

    Last but certainly not least is the music. The wailing guitars in “Good Arms vs. Bad Arms,” the hypnotic piano melody at the end of “The Twist,” the slow steady build in “Backwards Walk,” and the simpleness of “Poke.” It’s overwhelming at first, but with repeated listens the layers start peeling apart. Soon, you will find yourself coming back for even more of exactly the same.

    Download three more Frightened Rabbit songs for free here. I highly recommend “The Modern Leper” and “Head Rolls Off.”

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