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Drake – Take Care
As my review of The Weeknd’s House of Balloons hinted at, I’ve recently taken a liking to R&B music. Therefore I’m cautiously optimistic I will enjoy Drake’s sophomore album Take Care. It’s been getting good reviews (even a BNM over at Pitchfork) and the few tracks I’ve heard sound pretty solid (a couple of them even feature The Weeknd). Stream the album here.
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Sigur Rós – Inni
Sigur Rós currently resides atop the list of bands I want to see live. I’ve heard their concerts are unreal, partly because they play in unique venues (churches, opera houses) and partly because their music is jaw-droppingly gorgeous. Until the band stops by San Francisco, Inni will have to do. Get more details about the live double album here.
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The Twilight Singers – Live In New York
While I haven’t gotten a chance to see Sigur Rós live yet, I did get an opportunity to check out The Twilight Singers when they played a special concert at The Great American Music Hall in San Francisco a couple months ago. If that show was any indication, their new live double album should be pretty amazing. Check it out here.
archives for the artist
Sigur Ros
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News » New Releases
November 15, 2011
Posted on November 15, 2011
Artists: Drake, Sigur Ros, The Twilight Singers
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Features » Best of » Best of 2000-2009
Top 30 Albums
Posted on January 27, 2010
Artists: Annuals, Arcade Fire, Bon Iver, Brand New, Carissa's Wierd, Deer Tick, Devin Davis, Drive-By Truckers, Explosions In the Sky, Frightened Rabbit, Interpol, Josh Ritter, Justin Rutledge, Loney Dear, Menomena, Modest Mouse, Mono, My Morning Jacket, Okkervil River, Radiohead, Ryan Adams & the Cardinals, Seabear, Sera Cahoone, Sigur Ros, Sun Kil Moon, The Antlers, The National, The Twilight Singers, Wolf Parade
Initially I didn’t think I could write this post. It seemed like an impossible task. How on earth was I supposed to come up with and then rank my favorite albums from the past decade? I have enough trouble doing it for just one year. There’s simply too much good music out there (despite my occasional whining to the contrary).
But when I really started thinking about it, I came to the following conclusion: a decade is a terrible thing to waste. In all reality, I may not get another opportunity like this. After all, who knows what I’ll be doing ten years from now. Also, musically speaking, the past decade was an important one for me. Over the course of ten years, my muted appreciation of music gradually transformed into a full-blown obsession. I now spend most of my free time searching for, writing about, and listening to music.
In the end I guess it was a pretty easy decision. I would’ve been extremely foolish to let the decade pass without weighing in on my favorite albums. It was a lot of work, but I managed to compile a list of my 30 favorite albums from 2000-2009. Not necessarily the best or most important albums, but those that had the greatest impact on me.
With all that said, I proudly present the Top 30 Albums of the Decade.
albums 30 – 21
albums 20 – 11
albums 10 – 1
Like I said, compiling this list was no easy task. In the end, tons of amazing albums got axed. Check the comments to see which ones barely missed the cut. And leave comments to let me know which albums I missed completely!
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My site has been pretty quiet for the past week. That’s because I just got back from an 8-day trip to Iceland (as my previous tweet hinted at). It was an incredible experience. The country boasts some of the most unique geologic features on the planet, including volcanos, geysers, glaciers, fjords, and waterfalls.
Before leaving I had no idea what to expect. Luckily, I watched Heima on the flight to Reykjavik. The film chronicles the homecoming tour of Icelandic band Sigur Rós. In 2006, the band toured Iceland, playing free shows in unique settings and tiny villages. The film features breathtaking scenery and, of course, beautiful music. It is a great introduction to Iceland. It also made me kick myself for not seeing them live when I had the chance.
During the trip we did an insane amount of driving. To pass the time, I listened to boatloads of music. Sigur Rós definitely provided the best soundtrack for this journey. The Icelandic landscape is unbelievably gorgeous, but also desolate and unforgiving. The band’s music perfectly captures this duality. “Untitled 8″ is epic and intense, like an endless field of lava. “Andvari” is serene and soothing, like a gorgeous sunset. Because I can’t understand the lyrics, I can assign to the songs whatever meaning I want (which is why I love Sigur Rós so much).
Should you ever get the chance, I highly recommend visiting Iceland. But if you can’t, listening to Sigur Rós is the next best thing.
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SHEARWATER
RookIt’s official. With Rook, Shearwater has fully stepped out of the giant shadow cast by Okkervil River. This isn’t the first time I’ve said this, but it’s definitely true. It’s been fun watching the band’s progression. With each new release, Shearwater continues to put more and more distance between itself and Okkervil River. Hopefully, Rook is just one of many more albums to come from this incredible band.
GRAND ARCHIVES
The Grand ArchivesThis may sound a little strange, but Grand Archives’ self-titled debut is like an old friend. No matter how much time passes between contact, conversations continue as though you’d just talked to your friend yesterday. And the time you spend together only reminds you why you liked this person so much in the first place. Every time I listen to The Grand Archives, I wonder why I don’t listen to it more often.
THE WALKMEN
You & MeWhen I wrote about You & Me a few months ago, I said, “Right now, ‘On the Water’ is my favorite track, but this will probably change on a weekly basis.” As it turns out, I was right. My favorite song this week is “If Only It Were True.” I consider this to be the hallmark of a great album – one that reveals itself slowly in layers.
THE RURAL ALBERTA ADVANTAGE
HometownsHometowns was a last minute addition to this list. If I had a little more time with the album, it probably would crack my top 5. But the mere fact that it even made the list stands as a testament to its amazingness. Normally I wouldn’t even consider an album I just started listening to 3 weeks ago, but The Rural Alberta Advantage is one of the best new bands I’ve heard in a long time. They definitely deserve this spot.
BON IVER
For Emma, Forever AgoTechnically first released in 2007, For Emma, Forever Ago was easily my most anticipated album of 2008. And it did not disappoint. Bon Iver (aka Justin Vernon) manages to do a lot with very little. He makes sounds with an acoustic guitar I didn’t think possible. He loops and layers his gorgeous vocals to haunting effect. It all adds up to one of the most original and innovative albums of 2008.
THE TALLEST MAN ON EARTH
Shallow GraveThe most impressive thing about Shallow Grave is how effortless it sounds. There must be something in the water in Sweden. Using just an acoustic guitar and occasionally a banjo, The Tallest Man On Earth (aka Kristian Matsson) walks a narrow line between intensity and beauty. It’s an impressive debut from a talented singer-songwriter.
SIGUR RÓS
Með Suð Í Eyrum Við Spilum EndalaustI’m getting a little worried. I’m starting to hear Sigur Rós everywhere: commercials, TV shows, movie trailers, soundtracks. I guess I shouldn’t be too surprised. Their music is disgustingly gorgeous. And Með Suð Í Eyrum Við Spilum Endalaust is no exception. If anything surprises me, it’s that it took the TV and movie people so long to discover this amazing band.
FLEET FOXES
Fleet FoxesThe first time I heard Fleet Foxes I got a little angry. They sounded eerily similar to early My Morning Jacket, which I did not appreciate. But because I was desperate for some classic MMJ, I decided to give them a try. I’m glad I did. The more I listen to them, the less they sound like MMJ. It took a little time, but Fleet Foxes’ soaring vocals and melodies definitely grew on me. Much more than I ever imagined.
SERA CAHOONE
Only As the Day Is LongFor the record, Only As the Day Is Long could’ve easily held down the No. 1 spot on this list. 2008 was the year I discovered the beauty of Americana/folk music and, without a doubt, Sera Cahoone was the highlight of this incredible genre. Sadly, I never featured her on my Artist Spotlight series as I originally planned. I just couldn’t find the right words (and doubt I ever will). Just know that Sera writes simple, gorgeous, heartbreaking music.
FRIGHTENED RABBIT
The Midnight Organ FightThere’s not much more to say about these guys that I haven’t already said. Maybe the only thing left to do is justify why they grabbed the top spot. On a typical album, I usually figure out my favorite track(s) within the first few listens. But on The Midnight Organ Fight, this didn’t happen. It is truly a complete album, which in the age of the digital single is a remarkable achievement.
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Mixes » Mini Mix
Housekeeping
Posted on October 6, 2008
Artists: My Morning Jacket, Shearwater, Sigur Ros, The Walkmen
In order to return my blog to its usual format, I need to clear out the backlog of music created by my summer hiatus. This post should bring you up to speed on some of my favorite albums released in the past few months. It won’t be poetic, but then again, housekeeping rarely is.
MY MORNING JACKET
After the massive disappointment that was Z, I expected very little of My Morning Jacket’s latest album Evil Urges. After several months of listening, I can honestly say Evil Urges doesn’t suck. In fact, it’s pretty solid. The band continues to distance themselves from the sound they perfected on At Dawn, which, at least for me, is disappointing because that’s the sound I originally fell in love with.
I think, however, I’ve come to terms with their new direction. Seeing them live at the Greek two weeks ago definitely helped. These guys put on an amazing show. One of the many highlights that night was an incredible version of “Touch Me I’m Going to Scream Pt. 2,” the epic closing track on Evil Urges. The studio version of this song is posted below.
THE WALKMEN
On You & Me, The Walkmen not only perfect their sound but finally feel comfortable with it. And they sound as if they’ve just shaken off an epic hangover: their new album contains a sense of weariness and regret not present in previous albums. Maybe The Walkmen have grown up.
If so, it’s for the better. You & Me is their most consistent, and ultimately, their most rewarding album to date. Ironically, its consistency might also be its biggest turn-off. Songs sometimes bleed too much into each other. It takes repeated listens before tracks distinguish themselves. After nearly two dozen spins, I’m finally there. Right now, “On the Water” is my favorite track, but this will probably change on a weekly basis.
SHEARWATER
Similar to The Walkmen, Shearwater sounds like they’ve finally figured themselves out. With the release of Rook, Meiburg and his band fully step out of the shadow of Okkervil River. I’m only disappointed it took so long.
There is a lot going on under the surface of Rook. The shear gorgeousness of the music often masks a strong undercurrent of anger and frustration. Which is part of the reason I like Shearwater so much: their ability to combine beauty and violence is striking. The title track from Rook, which is posted below, captures this balance perfectly.
SIGUR RÓS
Sigur Rós has yet to release a disappointing album. With every new CD, they manage to explore new territory while at the same time maintaining their core sound (My Morning Jacket should take a lesson from them). The first few tracks on Með Suð Í Eyrum Við Spilum Endalaust, for example, can almost be described as joyous, which is definitely new territory for the band.
This mood, however, doesn’t last long. Soon the band retreats to familiar ground, slowing the flow of music to that of a glacier. “Illgresi,” the track posted below, resides on the slower second half of Með Suð Í Eyrum Við Spilum Endalaust and features the band at its simplest: a pretty acoustic guitar riff, some violin flourishes, and Jónsi’s plaintive vocals.
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I knew this day would come. It had to. Dogs normally don’t live fifteen years. Especially fifteen years with three rambunctious boys.
Yet somehow Molly endured. Far beyond even our most optimistic expectations. Even towards the end, when she couldn’t hear and struggled up and down the stairs, she still kept doing the things she loved: lying in the sun at the front door, wolfing down her food as though she hadn’t eaten in weeks, and doing her best imitation of my mom’s shadow.
Reality still hasn’t sunk in. My beloved dog is gone. She won’t be there at the door to greet me when I come home next time. And I won’t bring back nearly 3 pounds of dog hair with me to California.
So here’s to Molly, forever my little puppy. Here’s to the endless stream of stupid nicknames that flowed in her direction, the sleepless nights caused by her innate ability to hog the entire bed, the cute way she flicked snow up in the air with her nose, and the countless scraps of food she pilfered from the kitchen (including a Christmas ham from the refrigerator).
Here’s to the good times and the bad. Here’s to my faithful childhood companion. I’m going to miss you Molly.
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If anyone has yet to listen to Radiohead’s new album In Rainbows, I strongly recommend making your way over here where you can download it for free (if you so choose). It’s nothing short of amazing. Along with the Acorn’s Glory Hope Mountain, it’s been the only thing I’ve listened to for the last 3 weeks.
Which is why I’m worried. Whenever I find an album I really like, I listen to it so much that it loses its impact. Songs that initially moved me to tears (or ecstasy) become stripped of emotion after repeated listens. I can’t tell whether this is inevitable or purely my fault.
The true test, however, is whether you come back to the album after the obsession has subsided. Bands like My Morning Jacket, Okkervil River, and Built to Spill have definitely benefited from this treatment.
A band that’s currently riding this wave of re-obsession is Sigur Rós. Diehard MWW fans may recall that I put a song of theirs on my first podcast. Sadly, I haven’t mentioned them since, which in my opinion is unacceptable.
So in an attempt to amend the situation, I’ve decided to post the closing track from Sigur Rós’ untitled album ( ). The song, which approaches the 12-minute mark, sounds like an epic struggle between good and evil. Don’t let the made-up lyrics distract you, instead think of the vocals as another instrument in the song.
A new Sigur Rós compilation arrives November 6th, with their next studio album currently in the works.
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I know it’s about 8 months late, but this mix has gotta be one of the best I’ve ever made. I enjoy it as much now as I did back in December 2005. Every song is top-notch – I wouldn’t change a single thing. I hope my future mixes can top this one!
- 1. Wolf Parade – Shine a Light
- 2. The New Pornographers – Sing Me Spanish Techno
- 3. Spoon – I Summon You
- 4. Ryan Adams & the Cardinals – Let It Ride
- 5. Sufjan Stevens – The Predatory Wasp of the Palisades Is Out to Get Us!
- 6. Akron/Family – Running, Returning
- 7. Sigur Ros – Hoppípolla
- 8. Iron & Wine – The Trapeze Swinger
- 9. Okkervil River – A Stone
- 10. My Morning Jacket – Dondante
- Download entire mix







