April 26, 2009
It pains me to say this, but winter is officially over. I put in my last day of snowboarding earlier this week and after today my favorite Lake Tahoe resort is closed for the season. I could easily spend the next few paragraphs complaining about how I won’t be able to snowboard for the next 8 months. But no one wants to hear that. And truthfully, I’m pretty excited for spring (and summer).
So to help gear up for all the fun in the sun, my latest Mini Mix highlights 3 albums that are poised to get a ton of plays as the temperature rises. Also, this post should purge the backlog of music created by my recent lack of activity. Enjoy!
PETE AND THE PIRATES
Little Death
I must’ve debated buying this album for over a month. Looking back, I don’t know why I waffled so much. Over a dozen glowing reviews on eMusic should’ve clued me in to what I was missing: effortless, off-kilter indie pop from the UK. In their debut, Pete and the Pirates have crafted an album brimming with infectious hooks and clever lyrics. “She Doesn’t Belong to Me” is a fantastic example. In just under two minutes, the band packs in more hooks and one-liners than most can fit in an entire album. The rest of Little Death is just as good.
HARLEM SHAKES
Technicolor Health
I just started listening to Harlem Shakes but already I can tell their debut has a lot of potential (and also a beautiful album cover). The band has generated a fair amount of buzz and it is well deserved. Technicolor Health is both energetic and engaging. And while it might not break any new ground, it sounds great from start to finish (which itself is quite an accomplishment). It’s a little too early for me to say much more about the album, but I definitely look forward to blasting it in my car as I cruise around this summer.
MILES BENJAMIN ANTHONY ROBINSON
Miles Benjamin Anthony Robinson
I’m surprised by how quickly I’ve warmed to Miles Benjamin Anthony Robinson. After my first few listens, I felt overwhelmed and somewhat put off by the chaotic nature of his music. The 10 songs on his self-titled debut seemed to lack both structure and melody. At the same time, however, I was also intrigued by the chaos. After the next few listens, melodies began to emerge. Right now, my favorite track is the epic opener “Buriedfed,” though I’m sure this will change as I continue to untangle this gem.
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