Initially I didn’t think I could write this post. It seemed like an impossible task. How on earth was I supposed to come up with and then rank my favorite albums from the past decade? I have enough trouble doing it for just one year. There’s simply too much good music out there (despite my occasional whining to the contrary).

But when I really started thinking about it, I came to the following conclusion: a decade is a terrible thing to waste. In all reality, I may not get another opportunity like this. After all, who knows what I’ll be doing ten years from now. Also, musically speaking, the past decade was an important one for me. Over the course of ten years, my muted appreciation of music gradually transformed into a full-blown obsession. I now spend most of my free time searching for, writing about, and listening to music.

In the end I guess it was a pretty easy decision. I would’ve been extremely foolish to let the decade pass without weighing in on my favorite albums. It was a lot of work, but I managed to compile a list of my 30 favorite albums from 2000-2009. Not necessarily the best or most important albums, but those that had the greatest impact on me.

With all that said, I proudly present the Top 30 Albums of the Decade…

ALBUMS 30 – 21

ALBUMS 20 – 11

ALBUMS 10 – 1

Like I said, compiling this list was no easy task. In the end, tons of amazing albums got axed. Check the comments to see which ones barely missed the cut. And leave comments to let me know which albums I missed completely!

I kick off my year-end coverage with the Top 10 Songs of 2009. Unlike previous years, I assigned a specific order to the songs on the list. Click any of the cells below to download individual tracks, or grab all ten here. You can also stream the entire mix using the flash player at the end of the post.

THE BIG PINK :: VELVET A late addition to the list, “Velvet” is big, dramatic, and grabs your attention on first listen. Too bad the rest of The Big Pink’s debut can’t quite measure up to this fantastic song.

FANFARLO :: I’M A PILOT This song pretty much has it all: great lyrics, gorgeous strings, beautiful piano melodies, thunderous drums, and (of course) an epic climax.

DEER TICK :: SMITH HILL What’s the best way to lament losing your true love? There are many options, but on “Smith Hill” Deer Tick choose to sing an incredible, soaring chorus. I think it’s pretty effective.

CAMERA OBSCURA :: FORESTS AND SANDS I’m not the biggest Camera Obscura fan, but something about “Forests and Sands” really gets me. I love how the instrumentation perfectly matches the sorrowful lyrics.

HURRAY FOR THE RIFF RAFF :: DANIELLA I’ve said this before but it needs repeating: the intro to “Daniella” is one of the most beautiful and relaxing pieces of music I’ve ever heard. The rest of the song is icing on the cake.

BUILT TO SPILL :: THINGS FALL APART The song title pretty much says it all. On “Things Fall Apart” Built to Spill temporarily abandon their signature detachment for a more personal (and vulnerable) sound.

LONEY, DEAR :: DISTANT LIGHTS I had a very difficult time picking just one song from Dear John. On an album full of amazing tracks, “Distant Lights” shines slightly brighter than the rest.

ARCTIC MONKEYS :: DANCE LITTLE LIAR Every time I listen to this song I fall in love with a different part. First it was the hair-raising guitar solo. Then the monstrous drum beat. Now the cryptic lyrics. I can’t wait to see what’ll be next!

BRAND NEW :: BOUGHT A BRIDE On “Bought a Bride” Brand New sound almost unhinged. I thought their old material was as intense as it gets. I was wrong. This song is on another level.

THE ANTLERS :: TWO This shouldn’t come as too much of a surprise. I’ve been obsessed with this song since first hearing it back in June. Heartbreaking and epic, “Two” is damn near perfect.

Do you think I left out a song or two? You’re probably right. Let me know what I’m missing by leaving a comment!

As it turns out, every song on Mike Mix 11 is new to my site. I don’t know how this happened, but needless to say I have my work cut out for me.

So I guess I’ll start with the obvious: Mike Mix 11 features a ton of great music. And it starts out firing on all cylinders. After almost two minutes of quiet noodling, the first track, “Brother” by Annuals, explodes in a cacophony of guitars, drums, and violins. The next two songs keep the pedal to the floor. “Percussion Gun” by White Rabbits rides a thunderous drum beat while “Quiet Little Voices” by We Were Promised Jetpacks soars on a relentless guitar riff. It’s hard to imagine a more energetic start to a mix.

Following this fiery opening is a trilogy of fantastic songs. “Y’all Come Back Now” by Ten Kens is one hundred percent badass. “Available” by The National is the angriest, most bitter song the band’s ever recorded. And “Papillon” by The Twilight Singers is dark yet surprisingly upbeat.

The second half of Mike Mix 11 doesn’t quite pack the same punch as the first. But what it lacks in energy it makes up for with raw emotion. “Lies I’ve Told” by Yarn is completely devastating. So too is “Fool” by Cat Power, though for different reasons. In “Lies I’ve Told” the lyrics break your heart, whereas in “Fool” the instrumentation paints an overwhelmingly bleak picture. But the second half isn’t all doom and gloom, however. The mix closes on a relatively upbeat note with “Epilogue,” the soaring finale from Hospice by The Antlers.

As always, I highly recommend listening to Mike Mix 11 in the order presented below. Download the entire mix here or stream it using the player below! Enjoy!

Ryan Adams’ Cold Roses has everything a good country album should: weepy ballads (”How Do You Keep Love Alive”), rollicking barn-burners (”Let It Ride” and “If I Am a Stranger”), and bittersweet love songs (”Dance All Night” and “Friends”). The album’s diversity of sound is truly impressive. It got me through both good and bad times.

Quite naturally, I’ve been searching for more albums like Cold Roses. Josh Ritter’s Golden Age of Radio came pretty close. But a few weeks ago I found something even better: Transcendental Blues by Steve Earle. If that name sounds familiar it’s because I’ve mentioned his son Justin Townes Earle a few times before on my site.

Much like Cold Roses, Transcendental Blues features a remarkable range of sound. There are country rockers (”The Galway Girl”) and barroom bawlers (”Lonelier Than This” and “Over Yonder”). But that’s where the similarities end. Transcendental Blues is an entirely different experience. It sounds grittier and more mature than Cold Roses. Earle’s gravelly southern drawl provides the perfect accompaniment to the tales of hardship, disappointment, and regret that abound in his music.

The two tracks posted below anchor the middle of Transcendental Blues. Despite their side-by-side placement on the album, the songs couldn’t be more different. “The Galway Girl” makes you wanna dance while “Lonelier Than This” makes you wanna cry, highlighting Earle’s impressive range.

Transcendental Blues is my first experience with Steve Earle. It certainly won’t be my last; the man has 13 studio albums to his name. Looks like I’ve got some work to do!

[mp3] Steve Earle :: The Galway Girl
[mp3] Steve Earle :: Lonelier Than This

Much like its older siblings, Mike Mix 10 is packed with tons of great music. And while I always recommend listening to the mix in its entirety, a few tracks stand above the rest.

The first is “Sublime” by The Twilight Singers. Drifting dangerously close to adult-contemporary, the song features sultry vocals, whiny guitars, and some unbelievably cheesy whispering during the bridge. In anyone else’s hands this song would be a train wreck, but The Twilight Singers make it sound heartfelt and sincere.

The second is “Trailer Trash” by Modest Mouse. Replete with depressing lyrics and fantastic guitar work, the song is vintage Modest Mouse. If you enjoyed “Broke” on Mike Mix 09, you’ll love “Trailer Trash.” Self-loathing never sounded so good.

And the third is “Love Vigilantes” by Iron & Wine. Originally recorded by New Order, the song tells the story of a soldier returning home after war. I would say more but I don’t want to give too much away. Just listen to the song. You’ll quickly discover why I love it so much.

But don’t forget there are 12 more songs on Mike Mix 10. I’ve written about a handful of them previously, but several are appearing on my site for the first time. There’s the sinister “DLZ,” the creepy-but-achingly-gorgeous “Borrowed Your Gun,” and the heartbreaking “Miss Me.” Listen to them all and let me know your favorites!

Download the entire mix here or stream it using the player below. Enjoy!

Every time I make a new Mike Mix I’m amazed by how much good music falls through the cracks over time. After all, only a small number of songs on each mix have been featured previously on my site. There simply isn’t enough time to write about them all.

Which is why I love making these mixes so much: songs that otherwise would’ve remained permanently buried finally see the light of day. The 14 tracks of Mike Mix 09 are no exception. Many of them are appearing on my site for the first time; most of them should’ve been posted months ago.

With all that said, it’s time to introduce Mike Mix 09.

Despite its quiet start, Mike Mix 09 packs quite a punch. “Lookout Mountain” by Drive-By Truckers rocks incredibly hard; “Else” by Built to Spill bounces around nervously; and “Only In Dreams” by Weezer builds to an epic climax. At the opposite end of the spectrum, “My Lady’s House” by Iron & Wine plods along gently while “The Blackest Crow” by Justin Rutledge quietly refuses to end (in a good way).

As always, I highly recommend listening to Mike Mix 09 in the order presented below. Download the entire mix here or stream it using the player below! Enjoy!

As my previous tweet hinted at, I’m priming Mike Mix 09 for release sometime next week. So check back soon. There’s going to be a lot of good stuff on it!

To hold you over until then, I’ve decided to post a song that I should’ve a long time ago. The track is “Wagon Wheel” by Old Crow Medicine Show. It’s a cover of an old Bob Dylan song called “Rock Me Mama” (though I don’t think Dylan ever officially released it). But that last sentence is irrelevant. Old Crow Medicine Show has made the song theirs.

And what a song it is. I don’t even know where to begin. Perhaps I should start with the obvious; the song makes me happy. It’s everything a summer anthem should be: upbeat, catchy, and fun. It also has everything a good country song should have: acoustic guitar, upright bass, banjo, and of course a fiddle.

But don’t let labels scare you. Even if you don’t like “country” music, I think you will like “Wagon Wheel.” It’s one of the best songs I’ve heard in a long time.

[mp3] Old Crow Medicine Show :: Wagon Wheel

This post is dedicated to my grandmother, who passed away May 27. She was an amazing woman and will be missed dearly.

When I first launched Mike Went West nearly 3 years ago, one of my site’s main features was a monthly podcast of music. Sadly, I abandoned this feature after releasing only 5 mixes. I felt like each podcast took an inordinate amount of time and energy. I also felt like the quality of each mix was sliding steadily downhill.

As it turns out, I lacked the proper motivation. About 10 months ago, I started dating my girlfriend. To help her better understand my crazy little world, I decided to make monthly mix tapes for her (which I coined “Mike Mixes”). So far I’ve made ten and I’m still going strong. I hope to post a new mix every month. I decided to start with Mike Mix 06 for one simple reason: the first five are decent but nothing special. Also, it seems appropriate that I should pick up where my podcasts left off — with number six.

Now a few quick words about the pacing and sequencing of the mix. Mike Mix 06 starts off with “If Only It Were True,” a slow, lumbering song by The Walkmen. Two consecutive tracks by Brand New help transition the mix to a slightly faster pace, which is maintained by the next four songs (fantastic tracks by Okkervil River, Frightened Rabbit, MGMT, and Arctic Monkeys). Following this upbeat middle section, two tracks by The Rural Alberta Advantage help slow things back down. The mix ends with three of my all-time favorite songs: “3 Rounds and a Sound” by Blind Pilot, “A Desolate Angels Blues” by Justin Townes Earle, and “Okkervil River Song” by Okkervil River.

I highly recommend listening to the songs in this order (a full track listing is provided below). Download the entire mix as a zip file here, or download individual songs below. Or listen to the entire mix using the player below!

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PS — I just finished integrating Twitter into my site. Make sure to check out the sidebar widget for my most recent updates!

It pains me to say this, but winter is officially over. I put in my last day of snowboarding earlier this week and after today my favorite Lake Tahoe resort is closed for the season. I could easily spend the next few paragraphs complaining about how I won’t be able to snowboard for the next 8 months. But no one wants to hear that. And truthfully, I’m pretty excited for spring (and summer).

So to help gear up for all the fun in the sun, my latest Mini Mix highlights 3 albums that are poised to get a ton of plays as the temperature rises. Also, this post should purge the backlog of music created by my recent lack of activity. Enjoy!

PETE AND THE PIRATES
Little Death

I must’ve debated buying this album for over a month. Looking back, I don’t know why I waffled so much. Over a dozen glowing reviews on eMusic should’ve clued me in to what I was missing: effortless, off-kilter indie pop from the UK. In their debut, Pete and the Pirates have crafted an album brimming with infectious hooks and clever lyrics. “She Doesn’t Belong to Me” is a fantastic example. In just under two minutes, the band packs in more hooks and one-liners than most can fit in an entire album. The rest of Little Death is just as good.

Learn more about Pete and the Pirates at the following sites:

         

[mp3] Pete and the Pirates :: She Doesn’t Belong to Me

HARLEM SHAKES
Technicolor Health

I just started listening to Harlem Shakes but already I can tell their debut has a lot of potential (and also a beautiful album cover). The band has generated a fair amount of buzz and it is well deserved. Technicolor Health is both energetic and engaging. And while it might not break any new ground, it sounds great from start to finish (which itself is quite an accomplishment). It’s a little too early for me to say much more about the album, but I definitely look forward to blasting it in my car as I cruise around this summer.

Learn more about Harlem Shakes at the following sites:

         

[mp3] Harlem Shakes :: Strictly Game

MILES BENJAMIN ANTHONY ROBINSON
Miles Benjamin Anthony Robinson

I’m surprised by how quickly I’ve warmed to Miles Benjamin Anthony Robinson. After my first few listens, I felt overwhelmed and somewhat put off by the chaotic nature of his music. The 10 songs on his self-titled debut seemed to lack both structure and melody. At the same time, however, I was also intrigued by the chaos. After the next few listens, melodies began to emerge. Right now, my favorite track is the epic opener “Buriedfed,” though I’m sure this will change as I continue to untangle this gem.

Learn more about Miles Benjamin Anthony Robinson at the following sites:

       

[mp3] Miles Benjamin Anthony Davis :: Buriedfed

I didn’t actually see that many concerts in 2008, but the ones I did were incredible. So incredible that I’ve decided to spend an entire post reliving my favorite ones. This will effectively end my coverage of the best music of 2008. ‘Twas a great year, but I have a feeling 2009 will be even better!

MY MORNING JACKET :: GREEK THEATRE, BERKELEY, CA :: SEPTEMBER 19

From the very start, I wasn’t feeling this show. A heavy mist blanketed the Greek as My Morning Jacket took stage. They quickly launched into newer songs like “Evil Urges,” “Off the Record,” and “Aluminum Park” — definitely not my favorites. I worried the rest of the show would be similar. I thought about leaving early: the risk of catching pneumonia outweighed any enjoyment I might get from staying for the entire concert.

Or so I thought. After 30 minutes, the mist began to lift and MMJ started playing some older stuff. Before I knew it, I was rocking out on my air guitar (like an idiot) to songs like “Phone Went West” and “Dondante.”

Never before has this happened to me at a concert. Not the air guitar. I do that more than I care to admit. No, what I’m talking about is the complete turn around in my attitude. Usually once I lose interest, I’m not coming back. Yet somehow MMJ brought me back. Not an easy task. Well done, boys, well done.

[mp3] My Morning Jacket :: Tyrone

JUSTIN TOWNES EARLE :: HSBG 8, GOLDEN GATE PARK, SAN FRANCISCO, CA :: OCTOBER 5

This is the story about how Justin Townes Earle singlehandedly saved my first experience at the Hardly Strictly Bluegrass Festival (or HSBG for short).

Getting to Golden Gate Park was quite the adventure, involving a Muni train packed to the gills, a cab ride cut short by insufficient funds, and a 15-block walk. When we finally arrived, we navigated through a sea of people to the stage where Iron & Wine was scheduled to play. We grabbed some overpriced (but delicious!) food and eventually found a spot to sit.

Despite a huge tree blocking my view of the stage, I was excited to see Iron & Wine play again. I became even more excited when Sam Beam took the stage for an entirely acoustic show. Sadly, my excitement didn’t last long. Sam listlessly stumbled through a set of music that should’ve been amazing.

After the disappointing first act, we again cut through a sea of people to the stage where Justin Townes Earle was playing. Thankfully, he was on a smaller stage. The sparse crowd made it much easier to find great seats. By the time Justin took stage, I felt a little better.

Over the course of the next hour my mood would only improve. Justin put on a remarkable show. Every song he played was a journey, transporting us to a simpler time and place. We were no longer in Golden Gate Park; we were somewhere in the south. Perhaps Tennessee or Georgia.

Throughout this journey, Justin effortlessly jumped between genres — from folk to rock to swing to blues. His bandmate Cory (aka “Swiss Army knife”) helped make it all possible. He played nearly every instrument under the sun. But he absolutely killed it on the harmonica. It was quite the sight.

But the true highlight of the show came at the end. Justin closed his set with an incredible version of “A Desolate Angels Blues.” The studio version of this song sends chills down my spine, especially the part near the end when everything cuts out except Justin’s vocals. But the live version was even better. The concert couldn’t have ended on a better note.

And that’s how Justin Townes Earle singlehandedly saved HSBG 8.

[mp3] Justin Townes Earle :: A Desolate Angels Blues

GRAND ARCHIVES with SERA CAHOONE :: SLIM’S, SAN FRANCISCO, CA :: JUNE 28

I already wrote about this concert here. Unfortunately, I can’t think of anything new to add to my review except for the following thoughts.

The timing of this show was perfect. My obsession with Sera Cahoone was beginning to fade and I hadn’t really given Grand Archives the attention they deserved. But witnessing both bands put on an amazing show rejuvenated my interest in their music.

I’m seeing Sera again at the end of this month (unfortunately, Grand Archives have been replaced by Fruit Bats). If it’s even half as good as the first time, we are all in for a real treat!

[mp3] Sera Cahoone :: Happy When I’m Gone
[mp3] Grand Archives :: Sleepdriving