Eventually I will break this vicious cycle of posting nothing but Mike Mixes on my site. But I fear it won’t come soon enough: good music is piling up way too fast. I’ll try my best to write about it all eventually, but in the meantime here’s a short list of amazing albums: High Violet by The National, Astro Coast by Surfer Blood, The Monitor by Titus Andronicus, and Kollaps Tradixionales by Thee Silver Mt. Zion Memorial Orchestra. And that’s only half of what I hope to post. I have my work cut out for me.

While the introduction to Mike Mix 18 may be short on words, the mix is definitely long on good music. It’s also fairly upbeat, slowing down only a few tracks from the end. Highlights include “I Can Feel a Hot One” by Manchester Orchestra, “If Work Permits” by The Format, and “Satellite Skin” by Modest Mouse. But who am I kidding, Mike Mix 18 is one big highlight.

As always, I strongly recommend listening to the mix in the order presented below. Download the entire thing here or stream it using the player below! Enjoy responsibly.

But when I really started thinking about it, I came to the following conclusion: a decade is a terrible thing to waste. In all reality, I may not get another opportunity like this. After all, who knows what I’ll be doing ten years from now. Also, musically speaking, the past decade was an important one for me. Over the course of ten years, my muted appreciation of music gradually transformed into a full-blown obsession. I now spend most of my free time searching for, writing about, and listening to music.

In the end I guess it was a pretty easy decision. I would’ve been extremely foolish to let the decade pass without weighing in on my favorite albums. It was a lot of work, but I managed to compile a list of my 30 favorite albums from 2000-2009. Not necessarily the best or most important albums, but those that had the greatest impact on me.

With all that said, I proudly present the Top 30 Albums of the Decade…

ALBUMS 30 – 21

ALBUMS 20 – 11

ALBUMS 10 – 1

Like I said, compiling this list was no easy task. In the end, tons of amazing albums got axed. Check the comments to see which ones barely missed the cut. And leave comments to let me know which albums I missed completely!

Much like its older siblings, Mike Mix 10 is packed with tons of great music. And while I always recommend listening to the mix in its entirety, a few tracks stand above the rest.

The first is “Sublime” by The Twilight Singers. Drifting dangerously close to adult-contemporary, the song features sultry vocals, whiny guitars, and some unbelievably cheesy whispering during the bridge. In anyone else’s hands this song would be a train wreck, but The Twilight Singers make it sound heartfelt and sincere.

The second is “Trailer Trash” by Modest Mouse. Replete with depressing lyrics and fantastic guitar work, the song is vintage Modest Mouse. If you enjoyed “Broke” on Mike Mix 09, you’ll love “Trailer Trash.” Self-loathing never sounded so good.

And the third is “Love Vigilantes” by Iron & Wine. Originally recorded by New Order, the song tells the story of a soldier returning home after war. I would say more but I don’t want to give too much away. Just listen to the song. You’ll quickly discover why I love it so much.

But don’t forget there are 12 more songs on Mike Mix 10. I’ve written about a handful of them previously, but several are appearing on my site for the first time. There’s the sinister “DLZ,” the creepy-but-achingly-gorgeous “Borrowed Your Gun,” and the heartbreaking “Miss Me.” Listen to them all and let me know your favorites!

Download the entire mix here or stream it using the player below. Enjoy!

But the above songs are not my Top 10 Songs of 2008 for several reason. First, it would be a little boring. Second, I would probably run into legal issues if I posted half the songs from those two albums. And third, my most-played tracks in iTunes are not necessarily my favorite songs of 2008.

With that said, I present my actual list below. The songs are ordered in a way that I think flows best. A zip file containing all 10 tracks is provided below for your convenience. Enjoy!

SHEARWATER
Rook

It’s official. With Rook, Shearwater has fully stepped out of the giant shadow cast by Okkervil River. This isn’t the first time I’ve said this, but it’s definitely true. It’s been fun watching the band’s progression. With each new release, Shearwater continues to put more and more distance between itself and Okkervil River. Hopefully, Rook is just one of many more albums to come from this incredible band.

[mp3] Shearwater :: Rooks

GRAND ARCHIVES
The Grand Archives

This may sound a little strange, but Grand Archives’ self-titled debut is like an old friend. No matter how much time passes between contact, conversations continue as though you’d just talked to your friend yesterday. And the time you spend together only reminds you why you liked this person so much in the first place. Every time I listen to The Grand Archives, I wonder why I don’t listen to it more often.

[mp3] Grand Archives :: George Kaminski

THE WALKMEN
You & Me

When I wrote about You & Me a few months ago, I said, “Right now, ‘On the Water’ is my favorite track, but this will probably change on a weekly basis.” As it turns out, I was right. My favorite song this week is “If Only It Were True.” I consider this to be the hallmark of a great album — one that reveals itself slowly in layers.

[mp3] The Walkmen :: If Only It Were True

THE RURAL ALBERTA ADVANTAGE
Hometowns

Hometowns was a last minute addition to this list. If I had a little more time with the album, it probably would crack my top 5. But the mere fact that it even made the list stands as a testament to its amazingness. Normally I wouldn’t even consider an album I just started listening to 3 weeks ago, but The Rural Alberta Advantage is one of the best new bands I’ve heard in a long time. They definitely deserve this spot.

[mp3] The Rural Alberta Advantage :: Don’t Haunt This Place

BON IVER
For Emma, Forever Ago

Technically first released in 2007, For Emma, Forever Ago was easily my most anticipated album of 2008. And it did not disappoint. Bon Iver (aka Justin Vernon) manages to do a lot with very little. He makes sounds with an acoustic guitar I didn’t think possible. He loops and layers his gorgeous vocals to haunting effect. It all adds up to one of the most original and innovative albums of 2008.

[mp3] Bon Iver :: For Emma

THE TALLEST MAN ON EARTH
Shallow Grave

The most impressive thing about Shallow Grave is how effortless it sounds. There must be something in the water in Sweden. Using just an acoustic guitar and occasionally a banjo, The Tallest Man On Earth (aka Kristian Matsson) walks a narrow line between intensity and beauty. It’s an impressive debut from a talented singer-songwriter.

[mp3] The Tallest Man On Earth :: Where Do My Bluebird Fly

SIGUR RÓS
Með Suð Í Eyrum Við Spilum Endalaust

I’m getting a little worried. I’m starting to hear Sigur Rós everywhere: commercials, TV shows, movie trailers, soundtracks. I guess I shouldn’t be too surprised. Their music is disgustingly gorgeous. And Með Suð Í Eyrum Við Spilum Endalaust is no exception. If anything surprises me, it’s that it took the TV and movie people so long to discover this amazing band.

[mp3] Sigur Rós :: Illgresi

FLEET FOXES
Fleet Foxes

The first time I heard Fleet Foxes I got a little angry. They sounded eerily similar to early My Morning Jacket, which I did not appreciate. But because I was desperate for some classic MMJ, I decided to give them a try. I’m glad I did. The more I listen to them, the less they sound like MMJ. It took a little time, but Fleet Foxes’ soaring vocals and melodies definitely grew on me. Much more than I ever imagined.

[mp3] Fleet Foxes :: Your Protector

SERA CAHOONE
Only As the Day Is Long

For the record, Only As the Day Is Long could’ve easily held down the No. 1 spot on this list. 2008 was the year I discovered the beauty of Americana/folk music and, without a doubt, Sera Cahoone was the highlight of this incredible genre. Sadly, I never featured her on my Artist Spotlight series as I originally planned. I just couldn’t find the right words (and doubt I ever will). Just know that Sera writes simple, gorgeous, heartbreaking music.

[mp3] Sera Cahoone :: You’re Not Broken

FRIGHTENED RABBIT
The Midnight Organ Fight

There’s not much more to say about these guys that I haven’t already said. Maybe the only thing left to do is justify why they grabbed the top spot. On a typical album, I usually figure out my favorite track(s) within the first few listens. But on The Midnight Organ Fight, this didn’t happen. It is truly a complete album, which in the age of the digital single is a remarkable achievement.

[mp3] Frightened Rabbit :: Heads Roll Off

I’ve been struggling with this question for a while now. Is music a necessity or merely a luxury afforded those who have their most basic needs met?

I know how I would answer it. As someone who’s scrobbled over 40,000 tracks on last.fm in the past 18 months, music would appear to be a necessity to me. If you do the math, I spend around 20% of my time listening to music. This is staggering, especially when you consider that approximately 30% of my life is spent sleeping.

The percentage calculated above, however, is misleading: I often multi-task while listening to music. It makes routine chores like homework and commuting tolerable. In fact, music makes my life in general much more enjoyable, which itself is an argument supporting its necessity.

But do we really need music to survive? Clearly it does not provide the nutrition of food or the safety of shelter. There are lots of people out there who never listen to music, either because they lack the opportunity or because they get no enjoyment from it. I’d like to think I could continuing living without ever hearing another song again.

The key word in that last sentence is “think.” I get restless if I haven’t listened to music in a couple days. It calms and soothes, stirs and inspires. It is intensely personal, yet can unite large groups of diverse people. Music offers an escape from reality, taking me back to precise moments in my life or forward to moments I hope to experience. The Album Leaf’s “Twentytwofourteen” takes me back to the winter I spent living in Truckee, while I can imagine playing Beirut’s “Postcards From Italy” at my wedding.

I guess I’ve been pondering this question because I often dream about making music my profession. Whether critiquing or creating, I seem to have a passion for it that most people don’t understand. At the same time, however, I want to be a productive member of society. And if music isn’t necessary, how can I justify working in the industry?

Maybe one justification can be found in people like me. Music has profoundly shaped and altered my life, and for that reason it is valuable. Maybe not necessary, but important nonetheless.

[mp3] Bon Iver :: For Emma

The song posted above, the title track from Bon Iver’s exquisite For Emma, Forever Ago, only reinforces the value and power of music. Despite having been recorded in a cabin in northern Wisconsin during the winter, the song exudes warmth.