I find it mildly ironic that on the heels of one of the most upbeat Mike Mixes on record comes one of the most depressing. Mike Mix 14 is, without a doubt, a complete downer. A quick glance at the song titles (see the track list below) reveals themes of loneliness and asphyxiation – not the most uplifting subject matter.

But in my experience, sad songs often have the most beauty and depth. And the tracks on Mike Mix 14 only reinforce this. Consider “Strangulation!” by My Morning Jacket. The song immediately explodes with a cacophony of guitars, drums, and muffled screaming. Then after a minute everything cuts out, leaving Jim James’ reverb-drenched vocals front and center. What follows is quite possibly the best six minutes of music ever recorded. It is both awe-inspiring and heartbreaking. Even after all these years the song still hits like a ton of bricks.

Mike Mix 14 features a handful of artists that are appearing on my site for the first time. One of them is Manchester Orchestra. If I wasn’t so lazy, I would’ve written about these guys months ago. They are incredible. The two songs on the mix (“Where Have You Been?” and “I Can Barely Breathe”) are from their debut album I’m Like a Virgin Losing a Child. Hopefully I’ll post something about them in the next few weeks. They deserve more attention than these few brief sentences.

As always, I strongly recommend listening to Mike Mix 14 in the order presented below. Download the entire mix here or stream it using the player below! Enjoy responsibly.

I absolutely love making new Mike Mixes every month but for some reason always dread writing about them. Maybe I’m overwhelmed by the shear quantity of music in each mix, or maybe I’m suffering through a debilitating case of writer’s block. Either way, it’s annoying and needs to end. Especially since I don’t plan on halting Mike Mix production any time soon.

With that said, the latest installment in the series upholds the fine tradition established by its older siblings. Mike Mix 13 is instantly accessible, uniquely diverse, and endlessly rewarding. Think I’m exaggerating? I might be, though you won’t know for sure until you check it out yourself. But first, here are some quick details:

The first half of Mike Mix 13 is surprisingly upbeat. It kicks off with a trio of bombastic, hypnotic pop songs by indie heavyweights Andrew Bird, The Dodos, and Annuals. Next follow a pair of lo-fi gems by The American Analog Set and Blur. I especially like “Caravan.” It sounds like a long, trippy journey through the desert. So pretty! Rounding out the first half of the mix are two amazing tracks by the late Jeff Hanson and one by Carissa’s Weird.

The second half of Mike Mix 13 is unapologetically twangy, starting with a country-fried slice of perfection by Justin Rutledge. The next song, “Quattro (Worlds Drift In)” by Calexico, is the perfect soundtrack to traveling down a lonely, dusty highway at twilight. Following this is Cat Power’s incredible cover of “I Can’t Help It (If I’m Still In Love WIth You)” by Hank Williams. A couple of epic barn burners by Wye Oak and Miles Benjamin Anthony Robinson lead into a pair of quiet Dylan-esque numbers by Deer Tick and Vandaveer, closing the mix on a very sweet note.

As always, I highly recommend listening to Mike Mix 13 in the order presented below. Download the entire mix here or stream it using the player below! Enjoy responsibly.

As it turns out, every song on Mike Mix 11 is new to my site. I don’t know how this happened, but needless to say I have my work cut out for me.

So I guess I’ll start with the obvious: Mike Mix 11 features a ton of great music. And it starts out firing on all cylinders. After almost two minutes of quiet noodling, the first track, “Brother” by Annuals, explodes in a cacophony of guitars, drums, and violins. The next two songs keep the pedal to the floor. “Percussion Gun” by White Rabbits rides a thunderous drum beat while “Quiet Little Voices” by We Were Promised Jetpacks soars on a relentless guitar riff. It’s hard to imagine a more energetic start to a mix.

Following this fiery opening is a trilogy of fantastic songs. “Y’all Come Back Now” by Ten Kens is one hundred percent badass. “Available” by The National is the angriest, most bitter song the band’s ever recorded. And “Papillon” by The Twilight Singers is dark yet surprisingly upbeat.

The second half of Mike Mix 11 doesn’t quite pack the same punch as the first. But what it lacks in energy it makes up for with raw emotion. “Lies I’ve Told” by Yarn is completely devastating. So too is “Fool” by Cat Power, though for different reasons. In “Lies I’ve Told” the lyrics break your heart, whereas in “Fool” the instrumentation paints an overwhelmingly bleak picture. But the second half isn’t all doom and gloom, however. The mix closes on a relatively upbeat note with “Epilogue,” the soaring finale from Hospice by The Antlers.

As always, I highly recommend listening to Mike Mix 11 in the order presented below. Download the entire mix here or stream it using the player below! Enjoy!

Every time I make a new Mike Mix I’m amazed by how much good music falls through the cracks over time. After all, only a small number of songs on each mix have been featured previously on my site. There simply isn’t enough time to write about them all.

Which is why I love making these mixes so much: songs that otherwise would’ve remained permanently buried finally see the light of day. The 14 tracks of Mike Mix 09 are no exception. Many of them are appearing on my site for the first time; most of them should’ve been posted months ago.

With all that said, it’s time to introduce Mike Mix 09.

Despite its quiet start, Mike Mix 09 packs quite a punch. “Lookout Mountain” by Drive-By Truckers rocks incredibly hard; “Else” by Built to Spill bounces around nervously; and “Only In Dreams” by Weezer builds to an epic climax. At the opposite end of the spectrum, “My Lady’s House” by Iron & Wine plods along gently while “The Blackest Crow” by Justin Rutledge quietly refuses to end (in a good way).

As always, I highly recommend listening to Mike Mix 09 in the order presented below. Download the entire mix here or stream it using the player below! Enjoy!

Cat Power’s Chan Marshall is like fine wine. Not so much that she gets better with age (which is certainly true – each consecutive Cat Power album has garnered her more and more critical praise). Instead, I argue that the older her material gets, the better it sounds.

I think working backwards through her catalog has lead me to this conclusion. The dark, moody music of Moon Pix, Myra Lee, What Would the Community Think, and Dear Sir is truly mesmerizing.

Interesting story: A few weeks ago, California got hammered by a monster storm. It brought 11 feet of snow to parts of the Sierra and packed winds in excess of 75 mph. One thing I really miss about the Midwest is lightning and thunder, which Pacific storms don’t frequently produce. The last time I’ve heard thunder in California was back in 2001.

As I sat that morning in my apartment marveling at the storm, I listened to Moon Pix, a great rainy day album. The song “Say” (posted below) even features a recording of rain and thunder.

What happened next was hard to believe. As I sat listening to “Say” the heavens above slowly split open with a bellowing crack of thunder. It had nearly the same tone and length as the recording in the song. At first I thought it was the song, but I soon realized it was out of place. Needless to say, it was a great way to start the day.

So in honor of that amazing coincidence, and her forthcoming album Jukebox (January 22 – tomorrow!), I’ve decided to feature Cat Power in this month’s Artist Spotlight. The six tracks posted below sample Myra Lee and Moon Pix and are all somber, bluesy, electric gems. Enjoy with a glass of wine?

[mp3] Cat Power :: Top Expert
[mp3] Cat Power :: Ice Water
[mp3] Cat Power :: Still In Love
[mp3] Cat Power :: Rockets
[mp3] Cat Power :: Say
[mp3] Cat Power :: Metal Heart

As my blog quickly approaches the ripe old age of one, it’s fun (at least for me) to look back on my old posts. Nearly a year ago, I posted an article called My Top 5 Favorite Bands. A lot has changed since then.While I still consider all 5 of those bands to be among my perennial favorites, several amazing bands have since worked their way into my collection. I realize I’ve blogged about all these guys before, but I feel compelled to share once again why I love them so much. In no particular order, here’s the new list:

MONO: Music beyond words

I am still obsessed with this band. Despite having only 39 Mono tracks in my iTunes library, I’ve listened to them almost 800 times. It doesn’t matter what mood I’m in, I keep coming back for more. The track posted below is from their debut LP Under the Pipal Tree released in 2001. In it, you can clearly hear the band honing what will soon become its signature sound: layers upon layers of guitars soaring to climaxes so high you’re afraid of what’ll happen when it all comes crashing down. One of my favorite Mono tracks, period.

[mp3] Mono :: The Kidnapper Bell

THE NATIONAL: Elegantly-wasted Americana

In all reality, The National probably should’ve made the list the first time around. Never have I heard a band combine beauty and sadness so effortlessly and yet so successfully (see “About Today” and “Slow Show” below). I’ve been listening to The National steadily for the past year, which I can’t say for too many other bands. And with the release of their excellent new LP Boxer, the band has proved without a doubt that they belong on this list.

[mp3] The National :: About Today
[mp3] The National :: Slow Show

THE WALKMEN: Inelegantly-wasted Americana

I never expected to like The Walkmen as much as I do. I honestly can’t explain what drew me to them, let alone what keeps me from ever wanting to leave. Maybe it’s the Dylanesque vocals, maybe it’s the drunken guitar pieces, or maybe it’s lines like this: “Don’t know what to offer you I’m only broke and lonely / And another one goes, and another one goes by / Sometimes when I walk outside I see it right in front of me and so / Bright.” Amazing lyrics to an incredible song, which is posted again for your convenience below.

[mp3] The Walkmen :: Another One Goes By

MENOMENA: The absolute pinnacle of indie rock

Words cannot describe my love for this band. After seeing them live a few weeks ago, I can honestly say indie rock doesn’t get much better than Menomena. All three members are incredibly talented musicians; at the concert I quickly learned that they all share lead vocals and can play just about any instrument under the sun. Tracks from Friend and Foe rocked with even more intensity than on the album, while older material greatly benefited from the live setting. Below is the standout track (well, one of many) from their debut album I Am the Fun Blame Monster, whose title can be rearranged to spell The First Menomena Album.

[mp3] Menomena :: The Strongest Man In the World

CAT POWER: The only cat I’ll ever like

I definitely consider myself a dog person, but Chan Marshall, with her gorgeous voice and haunting melodies, has struck a chord in my dog-loving soul. I seem to get a lot of feedback on my Cat Power posts, which leads me to believe many of you have already come to appreciate her music. So I’ll keep this blurb short, enjoy a terrific piano dirge from Moon Pix called “Colors and the Kids.”

[mp3] Cat Power :: Colors and the Kids

That being said, alcohol does seem to inspire a lot of great (though often depressing) music. Who knows how many albums and songs were recorded during late night drinking binges. And the catalogue of songs mentioning booze may very well be endless.

Enter a song called “Moonshiner.” While its true origins may be unknown, the song is, more or less, an ode to alcoholism. Prior to discovering Cat Power late last year, I had only heard Bob Dylan’s version on Live At the Gaslight 1962. Then a few weeks ago I found a track called “Moonshiner” on the Cat Power album Moon Pix. Sure enough, it was the same song, albeit a very different take.

The Dylan version is acoustic and intimate, while the Cat Power is more electric and somewhat distant. I think I prefer Dylan’s take, but that could be because I heard it first. It’ll be interesting to see what other people think, so leave comments!

[mp3] Bob Dylan :: Moonshiner
[mp3] Cat Power :: Moonshiner

I normally don’t stray too far outside the realm of music on my blog, but I’m gonna make an exception. A few weeks ago, I watched the movie V For Vendetta. Several of my friends had recommended it to me, and even though I had no idea what it was about, I rented it.

I don’t want to give anything away, but the movie is set in the future in England, where the threat of terrorism has scared the populace into supporting a conformist, Nazi-like government. A masked man named V is the only one brave enough to oppose the ‘High Chancellor’ and his fascist regime. It’s an incredibly scary movie in that I feel it could really happen in today’s society.

But that’s a whole other issue, and I should stick to what I know best: music. So anyways, I’m sitting there captivated by the film when a song starts playing during a scene with V and Evey (Natalie Portman). The artist was immediately familiar, but it took me a few minutes to realize it was Cat Power.

When the movie ended, I went online to see if I was right. Sure enough, there was a song on the soundtrack by Cat Power called “I Found a Reason”. A few minutes later, I had downloaded it with a little help from the Hype Machine.

It’s a cover of the Velvet Underground song from 1970’s Loaded. Make sure to listen to the lyrics. Anyone who’s seen the film will realize how perfectly it fits not only that scene, but also the entire movie. And Chan Marshall’s vocals don’t get much better.

[mp3] Cat Power :: I Found a Reason

PS – Don’t you just hate when such an incredible song is only 2 minutes long?

Slacking aside, I’ve been listing to a lot of new music lately (surprise, surprise). I’m still working on the top 10 Songs and Albums of 2006; there were a lot of great albums released at the end of the year. So in the meantime, enjoy what I call “The New to Me List.” It’s composed of bands I discovered in 2006, though they have been around for much, much longer.

Mono

My discovery of the Japanese post-rock band Mono may very well have saved this year in music for me. I was desperately looking for something worthy of obsessing over. When I heard One More Step and You Die for the first time, I knew Mono was it. Their collaboration with world’s end girlfriend (called Palmless Prayer / Mass Murder Refrain) features my favorite song of 2006, “Part Five.” I thought about including it in the Top 10 Songs of 2006 podcast, but it’s almost 20 minutes long.

[mp3] Mono & world’s end girlfriend :: Part Five
[mp3] Mono :: Sabbath

The Twilight Singers

I know that I’ve blogged about these guys before, but I feel the need to do it again. The Twilight Singers rock. Their album Powder Burns is definitely making my Top 10 Albums of 2006 list. Not to mention they also released a fantastic EP called A Stitch In Time in October. I highly, highly recommend checking them out if you passed on them the first time (the mp3’s are posted again below).

[mp3] The Twilight Singers :: The Lure Would Prove Too Much
[mp3] The Twilight Singers :: Fat City (Slight Return)
[mp3] The Twilight Singers :: Forty Dollars

Neko Case

2006 will go down in history as the year I started listening to bands fronted by female musicians. I don’t know why I held out for so long (actually, I know exactly why), I’m just glad I finally gave in. I guess Neko Case is responsible for the change. Her rootsy brand of indie rock features her gorgeous vocals, which remind me of … wait, what am I talking about, I don’t know any other female singers.

[mp3] Neko Case :: Hold On, Hold On
[mp3] Neko Case :: Star Witness

Shearwater

I originally started listening to Shearwater because I desperately wanted to find more music by Okkervil River. With the release of Palo Santo, Shearwater is no longer just an Okkervil River side project. In fact, the album sounds nothing like Black Sheep Boy. And while my love of the River may have initially drawn me to Shearwater, I’ve come to appreciate the ‘Water for what they truly are: a great band.

[mp3] Shearwater :: Nobody

Cat Power

I hate cats, which is why I also hate cat power. Not the band, but the thought of giving power to cats. Turns out the band Cat Power is quite good. I especially like the song “Good Woman.” I first fell in love with the live version, but after hearing the album version with its children’s choir, I think I like studio cut better. I can’t wait until my eMusic downloads refresh so I can finally listen to 2006’s The Greatest.

[mp3] Cat Power :: Good Woman
[mp3] Cat Power :: Good Woman [live @ KCRW]

There were many other great bands I discovered in 2006, including Calexico and Destroyer. I would also include Bishop Allen, but I feel like 2006 was their breakout year, thus violating the “been around for much, much longer” rule. Anybody wanna add to the list?