Initially I didn’t think I could write this post. It seemed like an impossible task. How on earth was I supposed to come up with and then rank my favorite albums from the past decade? I have enough trouble doing it for just one year. There’s simply too much good music out there (despite my occasional whining to the contrary).

But when I really started thinking about it, I came to the following conclusion: a decade is a terrible thing to waste. In all reality, I may not get another opportunity like this. After all, who knows what I’ll be doing ten years from now. Also, musically speaking, the past decade was an important one for me. Over the course of ten years, my muted appreciation of music gradually transformed into a full-blown obsession. I now spend most of my free time searching for, writing about, and listening to music.

In the end I guess it was a pretty easy decision. I would’ve been extremely foolish to let the decade pass without weighing in on my favorite albums. It was a lot of work, but I managed to compile a list of my 30 favorite albums from 2000-2009. Not necessarily the best or most important albums, but those that had the greatest impact on me.

With all that said, I proudly present the Top 30 Albums of the Decade…

Like I said, compiling this list was no easy task. In the end, tons of amazing albums got axed. Check the comments to see which ones barely missed the cut. And leave comments to let me know which albums I missed completely!

My site has been pretty quiet for the past week. That’s because I just got back from an 8-day trip to Iceland (as my previous tweet hinted at). It was an incredible experience. The country boasts some of the most unique geologic features on the planet, including volcanos, geysers, glaciers, fjords, and waterfalls. I’ve posted a few of my favorite photos from the trip. Hopefully they convey the awesomeness of the landscape.

Before leaving I had no idea what to expect. Luckily, I watched Heima on the flight to Reykjavik. The film chronicles the homecoming tour of Icelandic band Sigur Rós. In 2006, the band toured Iceland, playing free shows in unique settings and tiny villages. The film features breathtaking scenery and, of course, beautiful music. It is a great introduction to Iceland. It also made me kick myself for not seeing them live when I had the chance.

During the trip we did an insane amount of driving. To pass the time, I listened to boatloads of music. Sigur Rós definitely provided the best soundtrack for this journey. The Icelandic landscape is unbelievably gorgeous, but also desolate and unforgiving. The band’s music perfectly captures this duality. “Untitled 8″ is epic and intense, like an endless field of lava. “Andvari” is serene and soothing, like a gorgeous sunset. Because I can’t understand the lyrics, I can assign to the songs whatever meaning I want (which is why I love Sigur Rós so much).

Should you ever get the chance, I highly recommend visiting Iceland. But if you can’t, listening to Sigur Rós is the next best thing.

[mp3] Sigur Rós :: Untitled 8
[mp3] Sigur Rós :: Andvari

I usually try to avoid comparing bands or musicians, but I feel like there’s no way I can talk about Will Johnson without mentioning Jason Molina. The similarities are just too overwhelming.

First, both men are prolific singer-songwriters. Each front or have fronted multiple bands: Will Johnson currently heads both Centro-matic and South San Gabriel while Jason Molina led Songs: Ohia before morphing it into Magnolia Electric Co. In addition, both men have released several solo records. All told, Johnson has around 14 albums to his name while Molina has over 16 (all released over the span of about 10 years). I don’t know about you, but I’m impressed.

And second, both men write remarkably diverse music. Johnson uses Centro-matic to pump out straightforward indie rock and South San Gabriel to explore more down-tempo material. Molina wrote somber, bluesy numbers under the Songs: Ohia moniker before heading in a more “alt-country” direction with Magnolia Electric Co. Both musicians’ solo albums are sparse, haunting affairs.

Despite these overwhelming similarities, Will Johnson and his two bands aren’t as well known as Molina’s. Which is a true shame because Johnson is immensely talented. I especially like his output under South San Gabriel: it’s perfect late night music. Random weird sounds and plodding beats from drum machines complement Johnson’s odd delivery and gorgeous melodies. It all sums to create a lonely, yet strangely comforting landscape.

I’ve posted my favorite track from each of South San Gabriel’s three albums: “New Brookland” from Welcome, Convalescence, “Stupid Is As Stupid Does” from The Carlton Chronicles: Not Until the Operation’s Through, and “The Arc and the Cusp” from Dual Hawks.

[mp3] South San Gabriel :: New Brookland
[mp3] South San Gabriel :: Stupid Is As Stupid Does
[mp3] South San Gabriel :: The Arc and the Cusp

In order to return my blog to its usual format, I need to clear out the backlog of music created by my summer hiatus. This post should bring you up to speed on some of my favorite albums released in the past few months. It won’t be poetic, but then again, housekeeping rarely is.

MY MORNING JACKET

After the massive disappointment that was Z, I expected very little of My Morning Jacket’s latest album Evil Urges. After several months of listening, I can honestly say Evil Urges doesn’t suck. In fact, it’s pretty solid. The band continues to distance themselves from the sound they perfected on At Dawn, which, at least for me, is disappointing because that’s the sound I originally fell in love with.

I think, however, I’ve come to terms with their new direction. Seeing them live at the Greek two weeks ago definitely helped. These guys put on an amazing show. One of the many highlights that night was an incredible version of “Touch Me I’m Going to Scream Pt. 2,” the epic closing track on Evil Urges. The studio version of this song is posted below.

[mp3] My Morning Jacket :: Touch Me I’m Going to Scream Pt. 2

THE WALKMEN

On You & Me, The Walkmen not only perfect their sound but finally feel comfortable with it. And they sound as if they’ve just shaken off an epic hangover: their new album contains a sense of weariness and regret not present in previous albums. Maybe The Walkmen have grown up.

If so, it’s for the better. You & Me is their most consistent, and ultimately, their most rewarding album to date. Ironically, its consistency might also be its biggest turn-off. Songs sometimes bleed too much into each other. It takes repeated listens before tracks distinguish themselves. After nearly two dozen spins, I’m finally there. Right now, “On the Water” is my favorite track, but this will probably change on a weekly basis.

[mp3] The Walkmen :: On the Water

SHEARWATER

Similar to The Walkmen, Shearwater sounds like they’ve finally figured themselves out. With the release of Rook, Meiburg and his band fully step out of the shadow of Okkervil River. I’m only disappointed it took so long.

There is a lot going on under the surface of Rook. The shear gorgeousness of the music often masks a strong undercurrent of anger and frustration. Which is part of the reason I like Shearwater so much: their ability to combine beauty and violence is striking. The title track from Rook, which is posted below, captures this balance perfectly.

[mp3] Shearwater :: Rooks

SIGUR RÓS

Sigur Rós has yet to release a disappointing album. With every new CD, they manage to explore new territory while at the same time maintaining their core sound (My Morning Jacket should take a lesson from them). The first few tracks on Með Suð Í Eyrum Við Spilum Endalaust, for example, can almost be described as joyous, which is definitely new territory for the band.

This mood, however, doesn’t last long. Soon the band retreats to familiar ground, slowing the flow of music to that of a glacier. “Illgresi,” the track posted below, resides on the slower second half of Með Suð Í Eyrum Við Spilum Endalaust and features the band at its simplest: a pretty acoustic guitar riff, some violin flourishes, and Jónsi’s plaintive vocals.

[mp3] Sigur Rós :: Illgresi

If anyone has yet to listen to Radiohead’s new album In Rainbows, I strongly recommend making your way over here where you can download it for free (if you so choose). It’s nothing short of amazing. Along with the Acorn’s Glory Hope Mountain, it’s been the only thing I’ve listened to for the last 3 weeks.

Which is why I’m worried. Whenever I find an album I really like, I listen to it so much that it loses its impact. Songs that initially moved me to tears (or ecstasy) become stripped of emotion after repeated listens. I can’t tell whether this is inevitable or purely my fault.

The true test, however, is whether you come back to the album after the obsession has subsided. Bands like My Morning Jacket, Okkervil River, and Built to Spill have definitely benefited from this treatment.

A band that’s currently riding this wave of re-obsession is Sigur Rós. Diehard MWW fans may recall that I put a song of theirs on my first podcast. Sadly, I haven’t mentioned them since, which in my opinion is unacceptable.

So in an attempt to amend the situation, I’ve decided to post the closing track from Sigur Rós’ untitled album ( ). The song, which approaches the 12-minute mark, sounds like an epic struggle between good and evil. Don’t let the made-up lyrics distract you, instead think of the vocals as another instrument in the song.

A new Sigur Rós compilation arrives November 6th, with their next studio album currently in the works.

[mp3] Sigur Rós :: Untitled 8

To make up for all the lengthy delays over the past few months, I’ve decided to post an extra mp3 this week. It’s not that I feel guilty, it’s just that I’ve been listening to lots of good music lately and need to accelerate the process.

I tend trust cokemachine’s reviews more than pitchfork’s, though both can be pretty hard to read sometimes. So when cokemachine rated For Hero: For Fool by Subtle as the Top Album of 2006, I was intrigued. Mainly because I’d never heard of them, but also because it didn’t even grace pitchfork’s Top 50.

So what gives? Who is this band Subtle? Ummm … if you want answers to these questions, you’d better go elsewhere – I haven’t listened to For Hero: For Fool. Yet.

I will shortly, however, thanks to a song called “Middleclass Haunt,” a collaboration between Subtle and Dan Boeckner, the other singer from Wolf Parade. You know, the one who doesn’t whore himself out to every band on the planet. Just kidding, I love Spencer Krug.

Anyways, “Middleclass Haunt” rocks hard. The massive drum intro helps establish that right away. From there, the song kinda ebbs and flows, ending with a beautiful passage in which Dan Boeckner repeatedly sings/asks “…what deems middle class?”

I can only hope for two things after hearing this song: (1) That For Hero: For Fool is of the same caliber and (2) That Spencer Krug decides to rejoin Dan Boeckner and Wolf Parade to record something new.

[mp3] Subtle :: Middleclass Haunt

I apologize for the extensive delay – I think 2006 is, by now, officially over. Thank you for your patience. Without further ado, here are my 10 favorite albums of 2006:

#10 Shearwater – Palo Santo

Palo Santo is a definite grower. While Jonathan Meiburg’s haunting vocals may take a little while to get used to, they will soon become one of the main reasons you like Shearwater. And similar to the vocals, the excellent melodies only fully reveal themselves after several listens…

[mp3] Shearwater :: Nobody

#9 Beach House – Beach House

This album really came out of nowhere. At its core, Beach House is an incredibly simple project. The band consists of two members. The instrumentation rarely expands past an organ and drum machine. The songs plod along at a snail’s pace. Add to all of this some heart-wrenching lyrics and you have the perfect winter album.

[mp3] Beach House :: Apple Orchard

#8 M. Ward – Post-War

M. Ward is one of those artists who, with each new album, manages to both hone and expand his sound. Therefore, it was no surprise that Post-War kicked ass. And while it sounds different than its predecessors, it’s a typical M. Ward album through and through. In other words, more timeless, beautiful indie rock from one of the best singer-songwriters out there.

[mp3] M. Ward :: Post-War

#7 Clipse – Hell Hath No Fury

Let me first say that I do not identify with any of the lyrics on Hell Hath No Fury, which focus mainly on selling cocaine and spending ridiculous sums of money (from the sale of said cocaine). Unlike most hip-hop albums, Clipse don’t waste time on pointless skits and interludes. The twelve tracks never let up, especially if you find yourself hitting the repeat button when the wild ride ends.

[mp3] Clipse :: Hello New World

#6 Joanna Newsom – Ys

In one of the more ambitious projects of 2006, Joanna Newsom’s Ys features only 5 tracks, each of which are at least 7 minutes long. Similar to Beach House, I never thought I’d listen to, let alone enjoy, an album like this. Tracks center around Newsom’s high-pitched, squeaky warble and her harp. Despite this unconventional arrangement, I find something oddly enchanting in Newsom’s delivery. You’ll either love it or hate it.

[mp3] Joanna Newsom :: Emily

#5 The Decemberists – The Crane Wife

I must confess: I wanted to hate The Crane Wife. Much like Sufjan Stevens, the Decemberists either hit or miss the mark. While Colin Meloy’s lyrics are top-notch, the songs tend to wear thin once the story becomes familiar. Meloy’s best moments are also his most personal ones (see “I Was Meant For the Stage” from Her Majesty). Luckily, The Crane Wife hits way more than it misses, though I’m still hoping the next Decemberists’ album is a more personal affair.

[mp3] The Decemberists :: Sons & Daughters

#4 Califone – Roots & Crowns

After at least 15 listens, I’m still coming to appreciate Califone’s Roots & Crowns. It’s not a difficult listen, but you actually have to listen to it in order to absorb it. I have the bad habit of putting music on in the background and forgetting about it. And since nothing on the album grabs you immediately, I felt nothing after several listens. But like most great albums, Roots & Crowns is a grower. While the track posted below is technically not on Roots & Crowns, it’s very representative of the album’s sound.

[mp3] Califone :: Ladders

#3 The Twilight Singers – Powder Burns

This shouldn’t be too surprising of a choice – I mentioned in my previous post that Powder Burns would make my Top 10 Albums of 2006 list. And here it is. The #3 slot. There’s not too much more to say about the Twilight Singers that I haven’t said before. They are one of the most under-appreciated bands out there today. Please give them your undivided attention.

[mp3] The Twilight Singers :: Forty Dollars

#2 Grizzly Bear – Yellow House

Wow, this is a long post. I’m kinda running out of things to say and laziness is setting in. Which reminds me: Yellow House is a lazy album. Not lazy in that nothing happens, but lazy in that it doesn’t rush to get where its going. Songs develop slowly, and take several twists and turns before coming to a close. Grizzly Bear sound like a softer, mellower My Morning Jacket, which is probably why I like them so much.

[mp3] Grizzly Bear :: On a Neck, On a Spit

#1 TV On the Radio – Return to Cookie Mountain

Even before its release, Return of Cookie Mountain had album of the year written all over it. I may have mentioned in my Weekly Download post about TV On the Radio that I was digging the album. That was a few months ago but nothing has changed since then. Return to Cookie Mountain rocks. It’s the exact opposite Yellow House. Confused, angry, and disgusted, Return to Cookie Mountain is a challenging yet ultimately rewarding journey.

[mp3] TV On the Radio :: I Was a Lover

Any thoughts?

Warning: this song may not be for everyone.

It’s called “Blind” by TV On the Radio and it’s positively evil – the very definition of brooding. But I love it. The lyrics are very simple and yet completely entrancing.

And then there’s the instrumentation. Creepy organs and slowly-plodding synthesized drum beats fuel the song. A nice guitar part kicks in near the end. But similar to the lyrics, it’s a rather simple in structure.

I believe that truly gifted musicians can take simple ideas and turn them into something unique and different. While their debut LP Desperate Youth, Blood Thirsty Babes may have missed the mark, their sophomore release Return to Cookie Mountain returns (no pun intended) to the form hinted at on the Young Liars EP (I guess I forgot to mention that “Blind” is off their debut EP Young Liars).

If you like what you hear, give Return to Cookie Mountain a chance. I got the album a week ago, so I’m still absorbing it, but I really like the 3rd track “Province.”

[mp3] TV On the Radio :: Blind

Before uploading a podcast (which is coming very soon), I think you all should know the type of music I enjoy. But seeing as how I could go on forever, I have decided to reduce my entire music collection to my 5 favorite artists. It wasn’t very easy – and it’s even harder to rank them. So I won’t. Please enjoy the fruit of my labors…

MY MORNING JACKET: Soaring vocals drenched in reverb.

You know you’ve discovered one of your favorite bands when you stop listening to the rest of your music collection. That’s what the first note of Jim James’ amazing voice made me do. My Morning Jacket is the inspiration for the name of my blog, so I will share with you the song whose title I ripped off.

[mp3] My Morning Jacket :: Phone Went West

BUILT TO SPILL: Epic guitar band with melodies to match.

Initially unimpressed with some mp3’s I downloaded, I let Built to Spill collect dust on my harddrive for several months. Then one fateful day I decided to buy Perfect From Now On after finding nothing else appealing at Rasputin. Next thing I knew, I was buying everything they released and thought that all other music sucked. No joking, they are that good. I saw them live at Slim’s on June 22 and they blew me away. They played ridiculously epic versions of “Untrustable” and “Broken Chairs.” I leave you with the studio recording of the former. Enjoy.

[mp3] Built to Spill :: Untrustable / Pt. 2 (About Somebody Else)

OKKERVIL RIVER: Lyrics as beautiful as the instrumentation.

One of my more recent finds, Okkervil River has quickly moved up the ranks of my favorite bands. The focal point of the music is the lyrics, which, though they range from heartbreaking to murderous, are always excellent. If this seems contradictory, just listen to these two songs.

[mp3] Okkervil River :: A Favor
[mp3] Okkervil River :: Westfall

RADIOHEAD: The original innovators.

Radiohead is the band that started my love affair with music. Senior year of high school my friend introduced me to them. I remember the first time I heard “Fake Plastic Trees.” It was incredible. I’m sure that you all know and love Radiohead, but on the off chance that this is your first exposure, I’ll start you off where I began.

[mp3] Radiohead :: Fake Plastic Trees

SUN KIL MOON: Heartbreaking, yet uplifting nostalgia.

Despite having only one proper album to their name, Sun Kil Moon still makes my top 5 because Ghosts of the Great Highway is one of my favorite records of all time. I bought it with a gift certificate my ex-roommate Joel gave me for my birthday (I hope he enjoys the shout out). Beautiful, uplifting music that at the same time breaks your heart. So few bands can pull it off successfully. I hope you like it as much as I do.

[mp3] Sun Kil Moon :: Carry Me Ohio

BARELY MISSED THE CUT: Make sure to check out these other excellent bands, though I will most likely post on them in the future: The National, Songs: Ohia, Iron & Wine, and Ryan Adams.