As I sit here thinking about the angle I want to take in writing about my latest obsession, a million thoughts race through my head. How do bands come up with their names? Can I finish this article in the next few days? What will I write about next? Have I run out of good ideas for my site? Will I eventually lose interest in music? Why am I never satisfied with the music I have?

I forgot to mention that when I’m stressed out, my mind refuses to shut off. It bounces randomly from thought to thought, unable to focus on anything. As a result, I worry a lot and accomplish very little. So if the previous paragraph hasn’t already given it away, I’m a little overwhelmed with life right now (which, coincidentally, explains the recent lack of activity on my site). But at least it has given me an angle: during stressful times, I rely on music more than ever. Especially relaxing music.

Luckily, a few weeks ago I stumbled upon Hurray For the Riff Raff, an amazing little band from New Orleans. Their debut album, It Don’t Mean I Don’t Love You, is the perfect escape from a stressful world. It sounds timeless — like what music from the south must’ve sounded like at the turn of the 20th century.

After listening to the gorgeous intro of “Daniella” for the first time, I knew I had found my next obsession. The song, which starts with a simple banjo riff and beautiful vocal harmony, melts away all my problems (at least for a few minutes). “Junebug Waltz,” another one of my favorites, plods along at a snail’s pace, reminding me of a hot, muggy summer afternoon.

Both songs are posted below for your enjoyment. If you like what you hear, I highly recommend purchasing the entire album — it’s fantastic. I’ll definitely have it on repeat over the next few weeks as school continues to bear down on me. With that said, I’ll try my best to post again relatively soon, but can’t promise anything.

[mp3] Hurray For the Riff Raff :: Daniella
[mp3] Hurray For the Riff Raff :: Junebug Waltz

I can hardly believe it. This is the 100th post on my site. I never thought I’d make it this far. And to celebrate this special occasion, I’ve decided to do something I normally avoid at all costs: posting tracks without first writing about the artists.

The 10 songs below have dominated my speakers over the past few months. But for various reasons, I haven’t featured any of them on my site (until now, of course).

• [mp3] Peter Broderick :: And It’s Alright
• [mp3] Mark Farina :: Dream Machine (featuring Sean Hayes)
• [mp3] Lil’ Wayne :: Tie My Hands
• [mp3] Frontier Ruckus :: Dark Autumn Hour
• [mp3] Phosphorescent :: Wolves
• [mp3] William Fitzsimmons :: Find Me to Forgive
• [mp3] Spiritualized :: Sitting On Fire
• [mp3] Titus Andronicus :: No Future
• [mp3] The Gaslight Anthem :: Here’s Looking At You, Kid
• [mp3] Andrew Bird :: Take Courage

As the above track listing indicates, the mix is a little eclectic. Download all 10 songs in a zip file here. And as always, if you like any of the above songs, please support the artists!

Despite listening to an insane amount of music, I have yet to encounter the “perfect” album. To be clear, I define the “perfect” album as one containing absolutely no filler, sounding best when played in its entirety.

This honestly surprises me. With all the music I listen to, I thought there’d be at least one album in my collection that fits the bill. But no. Even my all-time favorites contain a few tracks I could live without. In 2008, Frightened Rabbit came pretty close with The Midnight Organ Fight. And in 2007, Menomena’s Friend and Foe flirted with perfection. But as good as these albums are, I still skip a few songs on each.

I’m starting to think I should lower my expectations. With the music industry fully embracing the internet, focus has shifted from albums to singles. Pretty soon, I envision some musicians abandoning the album format altogether. After all, if most people download only one or two tracks, why waste time and money recording the entire album?

Maybe I shouldn’t be so cynical. Every now and then I stumble upon an album or band that renews my faith in the music business. This time it’s 3 Rounds and a Sound, the stellar debut album from Blind Pilot, a tiny band from Portland, Oregon that apparently only tours via bicycle.

Musically speaking, 3 Rounds and a Sound breaks little new ground. I’d describe the album as a straightforward mix of rock, pop, and folk. But what it lacks in complexity it makes up for with raw emotion, beauty, and catchiness. Further proof that the best music is simple and direct.

And while 3 Rounds and a Sound still isn’t perfect, it’s damn close. I can’t remember the last time I heard such a confident, effortless debut. Maybe Bon Iver’s For Emma, Forever Ago. Anyways, I’ve posted two tracks from the album below: “Oviedo” (the opener) and “3 Rounds and a Sound” (the closer). Pick up the rest of the album to find out what happens in between. You won’t be disappointed.

[mp3] Blind Pilot :: Oviedo
[mp3] Blind Pilot :: 3 Rounds and a Sound

PS — I want “3 Rounds and a Sound” played at my wedding, along with Beirut’s “Postcards From Italy.” So romantic.

According to iTunes, my 10 most-played songs of 2008 come from only two albums: Frightened Rabbit’s The Midnight Organ Fight and Sera Cahoone’s Only As the Day Is Long. Which probably explains how these two albums found themselves at the top of my Top 10 Albums of 2008 list.

But the above songs are not my Top 10 Songs of 2008 for several reason. First, it would be a little boring. Second, I would probably run into legal issues if I posted half the songs from those two albums. And third, my most-played tracks in iTunes are not necessarily my favorite songs of 2008.

With that said, I present my actual list below. The songs are ordered in a way that I think flows best. A zip file containing all 10 tracks is provided below for your convenience. Enjoy!

I begin my coverage of the best music of 2008 by resurrecting an idea from two years ago. It’s called the “New to Me” list and it has nothing to do with music released in 2008. Instead, it gathers a few excellent bands that I discovered this year, even though they have been around much, much longer. You might also call it the “I’m Embarrassed to Admit It Took Me So Long to Discover These Bands” list.

DRIVE-BY TRUCKERS

It’s crazy to think about how a simple action or decision can have huge consequences. At the trivial end of the spectrum, there’s the decision about which song to first listen to when you discover a new band. If you choose the wrong one, you might never listen to that band again.

That’s almost what happened to the Drive-By Truckers. A few year ago, after reading some glowing reviews, I decided to give the Truckers a try. I think I listened to “Puttin’ People On the Moon,” which can be downloaded for free at the band’s website here. The song’s odd pacing and hostile tone turned me off big time. I probably stopped the track halfway through, shelving the band after hearing only two minutes of their music.

Earlier this year, the Truckers released Brighter Than Creation’s Dark and again I read some pretty good reviews. I decided to give the band one last shot. This time, however, I listened to “Goddamn Lonely Love.” What a difference a song makes: it’s way more mellow than “Puttin’ People On the Moon.” If you’re a fan of sad bastard music like I am, you will absolutely love it. After a while, you might even warm up to “Puttin’ People On the Moon” (as I have).

[mp3] Drive-By Truckers :: Goddamn Lonely Love

JOSH RITTER

Last time I talked about Josh Ritter, I got a little carried away. I went on a mini rant about how Ritter, as a singer-songwriter, gets very little love from certain critics. Since writing that post, I’ve come to terms with the fact that not everyone will like the same music as me.

Despite a few lukewarm critical reviews, I really like Josh Ritter. Over the course of 5 albums, he’s changed his sound quite a bit. On Golden Age of Radio, my favorite Ritter album, he sounds like a twangy Dylan. On Hello Starling, he sounds like a folk troubadour. And on Animal Years, he sounds like an apocalyptic indie rocker.

Regardless of his sound, Ritter has maintained his knack for writing simple, affecting songs. To understand what I’m talking about, just listen to “Here At the Right Time,” the closing track on The Animal Years. It doesn’t get much better.

[mp3] Josh Ritter :: Here At the Right Time

CARISSA’S WEIRD

Why is it nearly impossible to track down anything released by Carissa’s Wierd? I’d really appreciate it if someone could answer this question for me. I’ve only been able to track down Songs About Leaving, which isn’t even their best album. The rest I had to download “illegally.”

I put the word illegally in quotes because I seriously doubt I’m breaking any laws by downloading an album that is out of print (and therefore can’t be purchased legally). Please correct me if I’m wrong. Anyways, after a little searching, I found a blog where you can download the band’s entire catalog (here).

And while I love free music, I wish I at least had the option to purchase their albums. Carissa’s Wierd wrote some of the most beautiful music I’ve ever heard (though sometimes their song titles can get a little out of hand — see below for proof). Unfortunately, the band split up in 2003 after releasing only 3 albums. I guess they wanted to end on a high note.

[mp3] Carissa’s Wierd :: Ignorant Piece of Shit

I’m getting a little frustrated. Lately, I can’t seem to find anything to obsess over (which might explain why I haven’t posted in ages).

So I’ve decided to hit the archives. My second Mini Mix highlights four bands I’ve enjoyed over the past few months but have failed to mention on my site. These bands have one thing in common: they all fly well below even the indie music radar.

VIDEOTAPE

First started listening :: late August

Reasons for waiting to post :: Videotape’s album, My Favourite Thing, is a definite grower. At first, it sounds lazy and a little uninspired. But slowly, after repeated listens, the hooks start digging in. The waves of electric guitar start pulling at you. The sense of laziness remains but the music gradually comes to life. It’s pointless comparing Videotape to other bands because they don’t sound like anyone I know. If you enjoy the song posted below, check out the rest of the album – it’ll definitely grow on you.

[mp3] Videotape :: Night Lights

THE TALLEST MAN ON EARTH

First started listening :: late June

Reasons for waiting to post :: I honestly don’t know why it took me so long to write about The Tallest Man On Earth (aka Kristian Matsson), a young, talented singer-songwriter from Sweden. I’ve actually been listening to him constantly for the past few months. I think the reason for the delay is that I couldn’t pick a favorite track from his amazingly consistent catalogue of folk music. So naturally, I chose a couple. And while his music may sound a little like early Bob Dylan, it flows so effortlessly I could really care less.

[mp3] The Tallest Man On Earth :: Over the Hills
[mp3] The Tallest Man On Earth :: Where Do My Bluebird Fly

PORT O’BRIEN

First started listening :: early June

Reasons for waiting to post :: I don’t think I fully appreciated Port O’Brien until I saw them live at Treasure Island Music Festival a month ago. Despite a stellar lineup (including Okkervil River and Fleet Foxes), Port O’Brien stole the show with their raw energy and passion. These guys rock pretty hard. Which is a little surprising given that their two studio albums, The Wind and the Swell and All We Could Do Was Sing, are pretty mellow. This versatility and range speaks to their talent as musicians and entertainers.

[mp3] Port O’Brien :: Don’t Take My Advice
[mp3] Port O’Brien :: My Eyes Won’t Shut

CRANES & CROWS

First started listening :: late April

Reasons for waiting to post :: It took me a while to warm up to Paul Brandt’s vocals, which doesn’t make much sense because there’s nothing unusual about them. In fact, I now find his voice to be very comforting. Which is also how I’d describe the sound of their music in general. And unlike my initial qualms about the vocals, this actually makes sense: Cranes & Crows hail from Wisconsin, my home state. And like most people, I find the thought of home very comforting.

[mp3] Cranes & Crows :: Wrecking Ball
[mp3] Cranes & Crows :: So It Goes

What do you think of the new website?

I love it. It’s way better than the old site.
It’s OK. It might grow on me.
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Welcome to the new and improved Mike Went West! Version 2.0, if you will. I’ve spent that past month overhauling my website. In fact, I took my initial design to about 75% completion only to trash it and start over again. What you see is actually my second revision. It was a ton of work, but was also incredibly rewarding.

Needless to say, I love my new design. But that is beside the point. I want to know what you think. Please take a moment to respond to the survey below. For those of you who’ve already forgotten what my old site looked like, the image on the left should refresh your memory.

Also, feel free to browse the other tabs on my site. You might notice that some pages are still under construction. I’ll fill these in whenever I have spare time. The front page, however, should be fully functional. Please let me know of any bugs you discover.

Note: those of you still using IE 6.0 will experience problems viewing my site. More precisely, the layout will look like complete garbage. I recommend upgrading to IE 7.0 or switching to Firefox for optimal viewing.

You may also notice that my domain name has changed. I decided to switch the site over to mikewentwest.com to match the title of my blog. Please make sure to update your bookmarks!

So with the bulk of the redesign complete, I can finally write about music again. The fresh look should inspire me to post more frequently. Or at least that is the hope.

To celebrate this momentous occasion, I want to share one of my favorite songs from the past few weeks. The first time I listened to it I experienced a moment of déjà vu: I could’ve sworn I’d heard the song before but couldn’t quite place where. After some internet research, I finally figured it out. But instead of just telling you, I think I’ll let you figure it out on your own (if you really want to know, check the comments).

Anyways, the song is “How It Ends” by DeVotchKa, a band from Denver that reminds me of Beirut. Or maybe it’s the other way around – Devotchka actually predates Beirut. Regardless, the song title is particularly fitting as I bid farewell to my old site. More importantly, however, the song itself is fantastic. Especially the violin ending.

[mp3] Devotchka :: How It Ends

Before closing, I’d like to thank my roommate Eugene for all the help he gave me over the past month. I couldn’t have redesigned my site without his guidance. I’d also like to thank Danielle and Verna for the additional feedback they provided along the way. You guys rock!

For the past year or so, I’ve felt the overwhelming desire to move up north for the winter and live by myself in a cabin. Kind of like Bon Iver, but not really (mostly because I doubt anything as beautiful as For Emma, Forever Ago would result). Also, I’d want to go somewhere more mountainous and snowy than Wisconsin. Probably either Alaska or western Canada.

The reasons for this are multiple. First, I want to experience the full intensity of winter (I love cold and snow). Second, I want to gaze upon the Northern Lights in all their glory. And third, I want to see how I respond to prolonged periods of darkness and isolation.

So when a good friend suggested I read North Into the Night, a story about a guy who spends a winter alone in the Arctic, I happily obliged. At the very least, it would be an entertaining read, and might even help me prepare for my adventure.

Without giving too much of the book away, the guy nearly goes crazy after spending over 5 months in complete darkness and isolation. He sleeps for days on end and often loses control of his temper and sanity. Even though my proposed adventure wouldn’t be as intense, his story filled me with apprehension. Could I really go 5 months without seeing another person?

All of this got me thinking about the nature of isolation. After some serious reflection, I’ve come up with two kinds (though I’m sure there’s more). The first type of isolation, as described in North Into the Night, is largely physical; the author (Alvah Simon) ventured to a part of the world that few inhabit, so quite naturally he was alone. The second kind of isolation is best illustrated by the story told in Justin Townes Earle’s heartbreaking song “Yuma.” The isolation he portrays is mostly psychological; the (hopefully) fictional character feels completely alone even when surrounded by scores of people in a city.

I think psychological isolation is easier to sympathize with and understand. Most of us live in populated areas. Yet somehow the constant presence of other people doesn’t always fight back feelings of isolation and loneliness. Especially with the rise in popularity of iPods and personal music players. Just pop in those little white ear buds and the surrounding world disappears!

Anyways, if you like the song posted below, I highly recommend listening to the rest of Justin Townes Earle’s EP Yuma, as well as his LP The Good Life. He has an amazing voice and a knack for penning gorgeous songs that perfectly articulate those universal feelings of heartbreak and loneliness. Which, coincidentally, sound amazing through the ear buds of an iPod.

[mp3] Justin Townes Earle :: Yuma

I write this post from a strange and distant land: I am currently visiting the frozen, sunless wilderness known as Canada. Specifically, I am in Lake Louise, a gorgeous glacial lake nestled in the Canadian Rockies.

Despite the weak dollar, I recommend all Americans venture north of the border at least once before passing judgment upon their quirky neighbors. Canada truly is a unique place, not a “frozen, sunless wilderness” (at least not all the time).

On top of all the natural beauty, Canada also has a pretty amazing music scene. As many of you probably know, several popular indie rock bands call Canada home, including The New Pornographers, Wolf Parade, and The Arcade Fire.

What you may not know, however, is that Canada also hosts a solid alt country/folk scene. Canadianicana, if you will. This regional mix highlights a few of my favorite artists.

JULIE DOIRON

Blessed with an amazingly expressive voice, Julie Doiron plays music that reminds me of early Cat Power (which is, coincidentally, my favorite Cat Power): dark and moody, somber and bluesy. Doiron’s best tracks feature just her voice, an electric guitar, and maybe some drums. Goodnight Nobody is my favorite album, though I have yet to explore her extensive catalog in depth.

[mp3] Julie Doiron :: Snow Falls In November

KATHLEEN EDWARDS

Kathleen Edwards (unfairly) had some big shoes to fill. After discovering (and becoming obsessed with) Sera Cahoone, I desperately tried to find similar female singer-songwriters to satisfy my insatiable appetite for quiet, thoughtful Americana. Luckily, I stumbled upon Kathleen Edwards. A little feistier than Cahoone, Edwards’ music is also more emotionally charged. The track posted below, however, is one of her mellower songs. To get a more complete taste of Edwards’ style, check out a stunning acoustic version of “Asking For Flowers” at Amazon (it’s free – download it here).

[mp3] Kathleen Edwards :: Goodnight, California

HAYDEN

Lyrics tend to take center stage on Hayden’s albums. Consider, for example, the following excerpt: “Women adored me / For the sad look in my eyes / Now they ignore me / For getting on with my life.” Simply amazing. And the music usually keeps pace. It’s been fun delving into some of Hayden’s older material; he has definitely matured and mellowed with age. The track posted below is off his latest album In Field & Town, which is his most concise and consistent to date.

[mp3] Hayden :: Damn This Feeling

JUSTIN RUTLEDGE

Justin Rutledge is an underrated singer-songwriter from Toronto. Though his latest album sometimes veers into the dangerous land of adult contemporary, his debut album No Never Alone is spectacular. Listening to “1855″ makes me wish I could travel back to a more simple time. And “Alberta Breeze” may very well be the theme song to my vacation.

“Now I try to keep a steady hand / ‘Cause I’m living in a shaky land / Lord I try to be an honest man / But it’s tougher than I ever planned“

[mp3] Justin Rutledge :: 1855
[mp3] Justin Rutledge :: Alberta Breeze